IDTV Docs

De Oplossing? is a movie about the dangers of racism and fascism. A group of Dutch young people is influenced by an ultra right political party.

The inevitable fat cigar between his fingers, the American actor, director and fine artist Dennis Hopper (1936) self-mockingly looks back on his chequered life and career, at the request of Dutch director, photographer and fine artist Thom Hoffman. The latter sifted through the turbulent life story of Hopper, who is primarily known from the cult film Easy Rider (1969). Hopper went through as many high as low points. In conveniently arranged chapters, Hoffman shows the decisive moments in Hopper's life and asks colleagues like Wim Wenders, David Lynch, Sean Penn and Julian Schnabel to comment on them. The documentary is richly illustrated with film excerpts, photos, newspaper articles and anecdotes. The main reason for this film was the retrospective of Dennis Hopper's art work in the Amsterdam Stedelijk Museum in 2001.

Originally from the southwest of the Netherlands, Sandra Roelofs met Mikheil Saakashvili while studying in Strasbourg. She fell for this politically-minded Georgian’s relentless charm and followed him first to the United States and then to his homeland. She was present when, partly under his leadership, the Georgian government was deposed during the Rose Revolution in 2003, and again at his inauguration as president, and 10 years later at his electoral defeat, partly brought about by the release of photographs of torture in Georgian prisons and the growing corruption of the government in power. The camera follows Roelofs over the course of her last year as Georgia’s First Lady. Backed by a wealth of archive material, she talks about her love for her husband and his country, about how power changed him, and about their family life and the pain caused by their physical separation.

In this politically charged documentary, survivors of the 1985 attack on the Greenpeace ship the &NFi;Rainbow Warrior&NFi_; recount the vessel's history and its key role in increasing public awareness of nuclear testing on Mururoa Atoll in the Pacific. What began as a "rusty old ship" became a symbol of Greenpeace's environmental activism -- and eventually attracted the attention of the French secret service.

Documentary portrait follows the still active Polish master violinist Ida Haendel (1924) from performance to performance.

Sunny holiday footage of the filmmaker and her boyfriend open this personal film. 'This is Victor and me six months ago', she comments in the voice-over. 'What has changed in the meantime? Not much. Apart form the fact that a nasty habit of mine has reared its head.' Marijn Frank is jealous and, she admits, extremely suspicious. She has the annoying inclination to search for dubious messages on her boyfriend's cell phone. While filming Victor when he is checking his text messages, she invariably asks him who sent them. What if she would secretly glance through his inbox? Or would that constitute an invasion of his privacy? Sometimes she muses in front of the camera, other times in the voice-over, or talking to her lover. Is she the only person having this problem?