In a middle-class neighbourhood in a city in the countryside of Brazil, the real estate speculation is a menace to the affective memory of a group of friends. Their answer to this imminent transformation is to fuck in the construction sites. And what about love? Is love just a construction?
A botanical expedition in Ecuador's Amazon becomes a medium for an indigenous Huaorani community to remember the genocidal colonization it suffered in the 1960s. Meanwhile, a group of ecologists from the capital tries to stop oil exploitation in the last remaining forests where the isolated Huaoranis still live, who to this day refuse to come into contact with civilization.
In the city of São Paulo, the routine of gravedigger apprentice Deodato changes when a new working girl arrives at the cemetery. Together, they must re-register the abandoned tombs, but strange events make the apprentice wonder about the consequences of messing with the dead.
Tan needs to cry.
While the country is under the yoke of a military junta and corrupt priests preach the apocalypse, a lawless, eccentric family – a kind of Bonnie & Clyde with kids – trek through the Brazilian interior. Their first aim is to deliver a consignment of weapons to a group of militant nuns who have withdrawn to the jungle, living off the income from their cannabis plantation. As gay , bi, trans, the converts so organized to make revolution.
In 2007, Ecuadorian President Rafael Correa proposed not to exploit the ITT block in the Yasuní National Park in exchange for $3.6 billion in international compensation. However, rising oil prices led to the reactivation of the project in 2013. The film documents the struggle of the Yasunidos group to call for a referendum to reverse the exploitation. The documentary, through archival material and current recordings, follows the effort and the legal battle against corporate interests throughout three governments, left and right. The documentary is part of a diptych with Toroboro: the name of the plants.
Sandra is pregnant and wants a girl. Her husband Marcos wants a soccer player.
In a salmon-coloured drawing room, a writer of sadomasochist literature now in her seventies narrates her turbulent, sexually explicit life story, once as her pseudonym and once as herself. What makes up a true biography, the real or the imaginary?
I recorded four years of the life of a great friend of mine in the attempt to catch some sort of catharsis. As I tried to deal with endings that were taking place in my life, the inevitable happened to him. His mother passed away without leaving any record on video. This is a movie to refrain from the fear of forgetting.
In Sao Paulo, Janaína and João take care of each other. She has epilepsy. He is in a relationship with a man who prefers to keep his distance. Above their lives floats the vague trauma of a mudslide that may have buried men and machines alike. Together, they try to protect their bodies from the evil that seems to spread like a fever.
Lázaro Escarze, an 87 years old revolutionary Cuban man, lives in a small village and will have his phone installed for the first time in his life. To whom will he call?
