On a romantic getaway to Iceland, a young American couple wake up one morning to discover every person on Earth has disappeared. Their struggle to survive and to reconcile the mysterious event lead them to reconsider everything they know about themselves and the world.
Halla declares a one-woman-war on the local aluminium industry. She is prepared to risk everything to protect the pristine Icelandic Highlands she loves… Until an orphan unexpectedly enters her life.
Martha Stephens and Aaron Katz's buddy comedy Land Ho! follows former brothers-in-law Mitch (Earl Lynn Nelson) and Colin (Paul Eenhoorn) as they travel through Iceland. The pair of 70-year-olds find themselves in need of an adventure to break out of their rut, and soon the extroverted Mitch has talked Colin into the trip. Along the way they have various amorous encounters, and attempt to recapture the spirit of their youth.
When a new neighbour arrives at Rannveig´s doorstep, her frustrated everyday life suddenly changes. The cloud of hopelessness that surrounds her marriage and her relationship with her almost adult daughter lifts temporarily but soon the family is forced to confront new and unknown challenges in their relationship.
In a remote fjord in 1940s Iceland, young farmer Bjarni and aspiring poet Helga begin a passionate, forbidden affair, emotions running as wild as the ocean waves that surround them.
There are two people who wake up in the same bed one morning, and neither of them has a clue who the other is. Viivi would like to run away and the man is sleeping like a log. Unlike Viivi and Andu themselves, the viewers know both very well. They know that Viivi has the worst day in her life and that Andu is a dweeb, but not completely hopeless; a rather good-hearted man. They are both hopelessly lonely people hoping that maybe there's someone somewhere - So they might as well meet.
When young Sól is sent to live with her distant countryside relatives for a summer, she becomes entangled in a dramatic rite of passage with a mysterious farmhand, Jón, and the farmer’s daughter, Ásta.
British sad sack Gary is a failed entrepreneur who has just arrived in Beijing's stylish Sanlitun district, allegedly to start a business. There are other reasons why he has uprooted himself — he's followed his ex-wife and young son, for one — but he soon finds out that China isn't the easiest place to succeed. Blissfully untouched by self-awareness, and only fitfully in tune with reality, Gary sallies forth to make money, armed with faith in himself and little to no knowledge of Chinese culture. He soon hooks up with Frank, a trust-fund kid from Australia who offers to mentor Gary in Eastern ways, although Frank's pedagogical method is restricted to yelling at Gary for being a Westerner and not being as "Chinese" as him.
Started in 2018, the project – comprised of 11 segments by filmmakers from all around the world – reflects on the intertwined relationship between human society and nature that is aggravated by climate change on multiple scales, hinting at possible solutions.
A REYKJAVIK PORNO is a Nordic-noir, Icelandic-Scottish feature. A curious student, disturbed by his encounters with online pornography, sets out on an ill-conceived search for revenge in the icy darkness of Iceland's capital. Three days in the permanent winter darkness of Reykjavik, the freezing city provides a backdrop for a story of revenge. Ingvar, a country-boy living in the capital to study, lodges with an alcoholic landlady, Laufey. Her love for Ingvar is obsessive and hopeless; she is trapped by her drinking and her agoraphobia. Ingvar should be happy with the joyful sex with his exuberant girlfriend, Ada, but he becomes transfixed by the deceit and dirty secrets of a new "parent-porn" website. His obsession pulls him tragically into the dark underbelly of the winter city.
Uisdean wants forgiveness. After 16 years in prison, released to to the Highlands, he wrestles ambition with caring for his father. When the law catches up, a fraught love story intervenes, pitting euphoric reinvention against inevitability.
14 year old Yuri has a strong bond with her father, border patrol guard Lorenzo, dubbed 'The Hunter': not only because he is good at his job, but also because he is a passionate huntsman. In winter, when the snow blurs the contours in the landscape Yuri turns 15. Lorenzo decides that she is now old enough to carry their family's generational rifle. Lorenzo, Yuri and her uncle Ivan drive deep inland to go on a hunting trip for a few days. But Yuri's 'rite de passage', this celebration and almost ritual initiation, takes a disastrous and irrevocable turn. Lorenzo struggles to place the impact the tragedy has on their lives.
