Carmen is a gypsy teenager, destined to live a life that is repeated every generation: getting married and raising as many children as possible. But one day she meets Lola, an uncommon gypsy who dreams about going to university, does graffiti and is very different. Carmen quickly develops a complicity with Lola and discovers a world that, inevitably, leads them to be rejected by their families.
Young Eva makes her decision to stay in Madrid for the month of August an act of faith. She needs to feel things differently and think of summer as a time of opportunity. On days of festivities and verbenas, while events and encounters take place, Eva will discover that she still has time, that an opportunity can still be given.
It's a journey in a dead place, the need of finding a home. Get trough the grief to understand it.
A conversation about the work of Spanish filmmaker Luis García Berlanga (1921-2010) and his perdurance in contemporary Spanish cinema.
Alicia wants to record her father's birthday. The camcorder inadvertently catches him crying, and in anger, he tears up the videotape. By destroying it, he disappears from reality. Alicia, her sister, and her mother have to cooperate by reconstructing the tape to bring him back, exposing a major wound in their relationship.
In a militarized, post-apocalyptic world, ravaged by an infection that turns people into beasts, one child defies all obstacles to find his mother. He has one question to ask in the midst of all this doom: does she still remember him?
It was Thursday when we met her at Puerta del Sol. Sandra is a seventy three years old woman who’s life is dedicated to fight injustices, towards others and the ones she suffered herself. Everytime we meet we learn something new that she once was not allowed to say.
On the periphery, the city's waste accumulates to form illegal dumps. In these, a new kind of life has emerged. It hides from the lights of humans, but the city reclaims what is its own. It advances and changes everything in its path. In its flight, the shadows remain in time. The thresholds persist. Gentrification, the death of one city and the rebirth of another.
When 10-year-old Nemo's mother suddenly dies, the boy is forced to go live with his maternal uncle's family. They are cordial and treat him well, but his 12-year-old cousin, Iván, begins to tease and tell him stories about the Bogeyman and how he'll come and get him if he doesn't behave. At first young Nemo doesn't believe the stories, insisting that Iván is just making things up...
Ana believes in absolute love. Lucia doesn't. Ana and Lucia go to an art exhibition. There they find a painting in which a man floats in the air while kissing a woman. Lucia doesn't like the painting. Ana does.
It's summer. A girl goes into the sea, looks back and smiles at her friend, who is recording an Instagram story. On the same beach, a fully clothed woman looks around not knowing what to do and decides to leave. A webcam records her movements. This is a film that, through personal stories, delves into the issues of self-perception, fear and the relationship with our body.
Miguel arrives at his grandmother's house to celebrate Christmas with his family, ready to face another night of reproaches. But this year is even worse; they want Miguel to join the family business, sacrificing his own dreams. Will Miguel be able to stand his ground, or will he end up succumbing to his family's wishes?
Election night. Aimar, leader of the left-wing Basque nationalist movement, returns home more tired than ever. Itziar awaits him, exhausted. At the entrance, the remnants of a protest by the radical youth of their own party. Aimar has to make a decision: Does he want to continue dedicating his life to the nationalist cause, even in the worst of times?
A bunch of friends are celebrating the birthday of one of them when they decide to play a joke on him. None of them could imagine the consequences that would befall them.
When time seems suspended, young people meet in the forest
