Departamento de Cine de la Universidad de los Andes

A young girl is sent to a South American hacienda, where she learns about the life of her reclusive aunt, Oriana.

Exiled Chilean director Patricio Guzmán filmed in Cuba and in Venezuela to create this controversial statement on the creation and survival of Latin American culture from the late-15th century to the present. For some viewers, the film will be superficially symbolic and rhetorical, for others, it will be a strong and personal vision of several centuries of history.

A young peasant farmer has a feud with a heartless landowner which results in the landowner killing the peasant's cattle which result in the peasant killing the landowner which for the man goes in to hiding for more than 40 years, hounded by the murdered landowner's son obsessed with finding his father's killer.

This documentary is comprised of three shorts: 'El Afinque de Marín' that follows the musicians of the group Madera. 'Yo hablo a Caracas' about an indigenous leader and his reply to the authorities of the venezuelan goverment regarding the violations towards his people and finally 'Mayami Nuestro' chronicles the relationship of venezuelans during the eighties with the city of Miami.

The Orinoko: main character in the film. The first part is set during the pre-conquest and is represented as an earthly paradise. A shaman has precognitive visions: go to Columbus and the Catholic missionary in 1498.

Diamantes, short produced by the ULA, registered the birth of a new town: San Salvador de Paul, the arrival of new residents, farmers who ventured in search of riches, merchants, gamblers, prostitutes, all trying to snatch the momentary wealth of those who discovered the mineral, typical image of underdevelopment.

A politically charged film, where a series of archetypal characters are presented.

“Through the use of violent symbols (loosely associated with Artaud’s notion of cruelty), some of the consequences of the current social organization in Latin-America are exposed: the alienation, marginalization and reification of men, and the continuous presence of imperialism, considered as rape.” (UU)

A testimony of the torture experienced by José Efraín Labana Cordero in an anti-guerrilla camp called TO3.

A rural community in the Ecuadorian Andes suddenly faces a land dispute with the legal representatives of a large company. The discovery of very rich ore deposits in the territory is the reason of the offensive greedy on those places, where the community lived since immemorial times.

A documentary about the building of a damn near Caño Mánamo and the effects it has on the environment.

Produced in 1982, Trans explores the lives of a group of trans women in Caracas, Venezuela. -Irene Rihuete-Varea

During the dictatorial regime of Juan Vicente Gómez, the bachelor Ibarra is imprisoned for political conspiracy. In prison, the inmates live together remembering the events that led to their imprisonment. Finally, a group, led by the bachelor Ibarra, manages to carry out a plan to escape from the prison.

In a far forgotten village there are great expectations for the arrival of some important government authorities.

A motion picture of the economic and social situation in current Venezuela, through three characters affected one way or another by dependency and neocolonialism.

Based on the novel by Venezuelan writer Enrique Bernardo Núñez, the film tells the story of engineer Leiziaga discovering his historical doubles in the context of the colonization of the island of Cubagua in Venezuela. In this way, two stories are intertwined: one that takes place in the 16th century and another in the 20th century. The first story focuses on the life of the Spanish settlers who arrived in Cubagua and the exploitation of the indigenous peoples for pearl extraction; the second story, set in the 1920s, tells of Leiziaga's archaeological expedition, financed by a multinational oil company, in which he visits the island to study the ruins of the Spanish settlement, which leads him to reflect on the passage of time and the destruction caused by human exploitation, and through a game of mirrors, to realize the relationships between the past, present and future.

Ugo Ulive took his camera for a walk though the streets of Caracas, contrasting daily reality with a soundtrack taken from radionovelas, news broadcasts and popular music.