In 1973, after Pinochet's coup, Chile was one of the most dangerous places in the world. The only apparently safe place was the embassies. The film is based on real accounts by João Carlos Bona Garcia who spent 42 days inside the Embassy in these conditions “of not knowing if he would be alive the next day” and survived.
In a dystopian world, young people discover government secrets about the pandemic. While fighting oppression, they try to survive.
A story about the need for tolerance through a metaphor of life - a blind man can finally see but refuses to see the world around him. A story involving a love that disappears because of the lack of understanding one another. A friendship that goes beyond all the difficulties that arise along the way. Emotion through simple situations, recognizable people, that we can find in any city in the world. A blind pizzaiolo, of Italian descent, an Argentine, from a wealthy Jewish family and a friend, the waiter, who becomes the 'eyes of the pizzaiolo.' Within this familiar environment, the story told is about the lack of understanding that exists in our world today. This is not a typical Brazilian story or from a specific place, it is a story of our time about individualism, about respect for what the other desires.
Two families on neighboring farms on the border between Brazil and Uruguay. Decades drive these people away. The physical proximity is separated by a fence and the set of prejudices, inexplicable hatred and lack of generosity. In the end of the year, between Christmas and New Year, the families gather on their respective farms. What nobody knows is that a love between two young people is about to break this barrier that is much bigger than the fence that divides the fields. The passion between Rodrigo and Juliana could be the point of recovery for a relationship marked by so many years of hatred, but, like Shakespeare's original story, the human being is much more complex and inexplicable. Whether in Verona, Italy, or on a border farm. Tragedy lives inside people and is sometimes impossible to control.
Investigator Alex is sent to the small town of Santa Brígida to solve the murder of the son of a wealthy family. Upon realizing other similar crimes, his investigation takes a dark turn.
Lonely Tony travels to the far south of the country for a funeral for an old friend. He ends up late and misses the ceremony, but meets Blanca, a mysterious girl who offers to guide him around town. They end up starting a romantic relationship while strange events become part of Tony's routine in the village.
Bruno Stein and his family live in a house in Serra Gaúcha and make bricks by hand. Their lives change with the arrival of a stranger who awakens a series of feelings in the patriarch, who is already approaching the end of his life.
Beth, Milena, and Carina are three college students who've shared some of Rio's most wild and legendary parties for the past few semesters. After living in New York for a year, Beth returns on New Year's Eve a changed girl, willing to mend her ways and grow up. Milena and Carina, however, are not happy about their friend's change - Keen on stopping Beth form becoming "respectable" at all costs, they show up at her house with dozens of friends to celebrate the New Year. Before dawn, secrets will be revealed, friendships will be tested, hearts will broken, and tears (and other bodily fluids) will be spilled. As the night unfolds, we also witness past events in a seedy nightclub, which changed the lives of those three girls forever.
Juan Manuel arrives to Montevideo for the wedding of his friend Beto. He decides to organize the bachelor's party in 24 hours. Juan Manuel and his friends have to avoid several obstacles to achieve the party Beto deserves. The constant inconveniences put the wedding in danger.
During quarantine, through a screen, through the network, different speeds, different houses, eyes and hands reflect the life, work and creations of the actress and director Deborah Finocchiaro. Therefore, in isolation, new narratives and encounters.
Abelardo is a documentary about José Antônio da Silva Ballestero who has been a projectionist for 53 years at cinemas on the west border of the state of Rio Grande do Sul, Brazil. José Antônio learned how to do the work with his father, who also was a projectionist and encouraged him to work in the projection room since he was a boy. The film tells the journey of a humble man showing his simple passionate view of the cinema. The memories, the films and opinions are revealed through a very spontaneous and amusing language. The projection problems, when the TV started, the VHS, DVD, pirate, internet, and the new technology that is coming to replace the old way of projection. Abelardo captivates people with his sincerity and friendliness. This is a nice story of the difficult job of a projectionist.
