Centar film

On April 5th, 1941, a day before the Nazi attack on the Kingdom of Yugoslavia, a colorful group of passengers is headed for Belgrade...

Tito's break-up with Stalin in 1948 marked the beginning of not only confusing, but also very dangerous years for many hard-core Yugoslav communists. A careless remark about the newspaper cartoon is enough for Mesha to join many arrested unfortunates. His family is now forced to cope with the situation and wait for his release from prison.

During the excavation of ancient Roman ruins, an old archaeology professor accidentally opens the gate between our world and the world of the dead.

When it comes to crime, Belgrade is same as any other modern metropolis, except for having its own serial killers. That blank is filled when a flower salesman begins strangling women. A popular, but very disturbed rock star soon becomes telepathically connected with the killer.

The first Yugoslav Partisan air force unit. Loosely based on historical facts.

Grown up in an atmosphere of failed marriage of his parents, a young man wants to go his way throughout life. School he finished doesn't give him the opportunity to find a job, so he accepts the position of a beach guard in winter period.

The movie is based on the true story about a group of children, barely teenagers, who joined Yugoslav Partizans after losing their families in WW2. At first, Partizans want to get rid of them, but later they are joining combat ranks. Among them, Bosko Buha would become a legend because of his skill in destroying enemy bunkers.

A fugitive girl, a stuntman and a young man who lost his dog quite some time before, are joining together on a trip to reach each of their own destination. A youngster gets emotionally connected to the girl, and he'd try to help her to leave the bossy stuntman, to get false passport and escape to Paris.

The Topalović family has been in the burial business for generations. When the 150-year-old Pantelija dies, five generations of his heirs start to fight for the inheritance.

In the mountains of Montenegro people have lived by strict and Draconian laws for centuries, almost untouched by modern civilization. However, a young couple are going to seek their fortune on the more liberal coast and there they find jobs in the nudist colony. Hundreds of naked bodies and atmosphere of joie d'vivre make the husband and wife question their rigid way of life.

The setting is the islands off the Dalmatian coast of Yugoslavia, during WW II. The islands are controlled by occupying Italian forces, and a resistence movement of Communists is dedicated to sabotaging and ending the occupation. When a wealthy young man joins the resistence, he falls in love with a woman who turns out to be a spy for the Italians. As a result of his liaison and her activity, they are both executed by a Communist comrade - a previous friend. The comrade is dedicated to the hard-line policies of the resistence, until he himself falls in love with the daughter of a bourgeois landowner on the island - a landowner who has collaborated with the Italians. Neither the Italian occupying army (one officer is shown in an attempted rape scene) nor the resistence fighters are stereotyped forces for good or evil, but all are equally subject to the dehumanizing effects of war.

In 1389, the Serbian prince Lazar Hrebeljanović refused to submit to the Turkish Sultan Murat, who was invading Serbia with a large army, in order to continue conquering Europe through it.

It is 1945 in Zagreb, and everyone is settling into the new regime following the disturbances of the war. Matilda is a wealthy widow of a war hero and has an apartment so spacious that she is required to take a boarder. Fortunately for her, the handsome young Lt. Horvat, the communist housing officer, has taken a fancy to her and has assigned his fiancee to be Matilda's new roommate. Where Matilda is soft and rounded, Lilijana is hard, skinny, and given to revolutionary pronouncements rather than tender endearments. The lieutenant loves them both, though he naturally finds Matilda more attractive. His situation is simplified when Lilijana, though pregnant, is transferred to another post. However, his commander is horrified that he has a lover in addition to his fiancee and demands that he choose whether to continue his career or continue his affair.

In 1985, four middle-aged Yugoslav emigres return to Belgrade for the funeral of Mariana, their beautiful compatriot. They called her Esther, for Esther Williams, she was the coxswain for their four-man rowing team, and they each loved her. They'd last seen her in 1953, when they rowed her across the Adriatic, pregnant, to join her exiled father in Italy. In flashbacks we learn the story of their youthful baptism into sex, smoking, rock and roll (Hey Ba-ba-re-bop), Hollywood and Swedish films, blue jeans on the black market, and their rivalry with Ristic, the Communist Party youth leader for whom they had instant antipathy.

"Virgina" tells a tale from the 19th century Serbian village near the Adriatic Sea. Because of the extreme patriarchal culture there is a superstition that families without male heirs are cursed. When the wife gives birth to their fourth daughter, father decides that the child will become a so-called "Virgina" and that she will live as a man.

The career of the famous production designer Miljen Kljaković – Kreka and reveals all the beauty and importance of film scenography.

For the young man who lives in Serbian province town, the maturing coincides with the turbulent political events of the year 1968.

The story of a forced march of the first proletarian shock brigade during World War II.

The Kosovo region of Yugoslavia near the Albanian border is the scene of political unrest and a modern Romeo and Juliet romance in this satirical political drama. A film director (Meto Jovanovski) gathers information for his documentary about the Serbs being forced to depart by Albanian Moslems. As the region heads towards ethnic warfare, the young Albanian woman Nadira (Sonja Jacevska) falls in love with the Serbian Miloljub (Cedo Arobabic). He is captured and castrated, and the private lives of Milobjub and Nadira become part of the director's story in his film. He must answer to the financiers and producers who believe his film was to be a comedy. The events foreshadow a long and bloody conflict between two factions, a battle that has not abated in the ten years since this film's initial release.

In the fifties, a young Belgrade teacher girl, after finishing her school, and by the Ministry of education order, arrives to a remote town to educate people. Unready and inexperienced, she fails in building a bridge between herself and the environment where she was brought against her will, and conflicts start. The conflict with others soon causes the conflict with herself, which causes the tragedy...