Man's Films

Two soldiers from opposite sites get stuck between the front lines in the same trench. The UN is asked to free them and both sides agree on a ceasefire, but will they stick to it?

Story of two gorgeous, young French boys who begin a passionate relationship that boils over and threatens to destroy both their lives. Shy 18-year-old Mathieu is on summer vacation in the south of France. He spends his days lazily sunning himself at the beach, until he spies the handsome Cédric and falls in love.

Three sisters share a connection to a violent incident from their childhood reunite to for the chance to come to terms with their past.

Ludovic is the son of Nicole, a single mother who married Micho, a man older than her. He agreed to adopt her son. Ludo is the scapegoat of Tatave, first son of Micho and the favoured victim of his teacher. Communication between Ludo and his mother is non-existent. While her own health is deteriorating, she eventually entrusts him to an asylum.

A cargo ship is stuck on the Canadian Saint Lawrence River for repairs. Traoré, an Ivory Coast mechanic is unjustly accused of causing the damage.

Bosnia and Herzegovina, 1991. After the fall of the communists, Divko Buntić, who has lived in exile in Germany for the past twenty years, returns to the village where he grew up, intent on reclaiming ownership of his family home, driving a swanky Mercedes and accompanied by his young bride; by Bonny, his lucky black cat; and with pockets full of money.

A South African spinster murders her father after he rapes the wife of the black foreman for his plantation.

On the one hand, there’s the desert eating away at the land. The endless dry season, the lack of water. On the other there’s the threat of war. The village well has run dry. The livestock is dying. Trusting their instinct, most of the villagers leave and head south. Rahne, the only literate one, decides to head east with his three children and Mouna, his wife. A few sheep, some goats, and Chamelle, a dromedary, are their only riches. A tale of exodus, quest, hope and fatality.

Maria Garcia (Carmen Maura) is a television journalist and she's about to be a single mother. Her career foremost in her mind, she doesn't slow down even for a minute, despite her pregnancy. She is, however, taking Lamaze classes and is quite competently coping with the romantic attentions of a man she's not very interested in. It's not at all irrelevant that her news beat includes stories on terrorism, the greenhouse effect, pollution and genetic engineering, because when her baby's due date comes and goes, she starts hearing from her infant from in the womb. It is telling her that it and many other babies are refusing to be born into such a horrible world. She learns that this is true, and that the children born through induced labor are dying.

A Greek-Irish sailor becomes friends with a 10-year-old sampan girl while his freighter is docked in Hong Kong.

Marion Hänsel directed this personal meditation on the joys and responsibilities of parenthood, in which a narrator reads Hansel's philosophic musings on raising her young son on her own, while carefully shot and selected footage of different cloud formations from around the world provide a striking visual backdrop. Catherine Deneuve read Hänsel's text in the original French-language version of Nuages; Charlotte Rampling did the honors for the English-language print, while Barbara Auer, Carmen Maura, and Antje De Boeck respectively lent their voices to the German, Spanish, and Dutch editions of the film.

Homer and Joé trace the rivers of Croatia aboard a small boat. In spite of being fifty years old each one, none of them knew of the existence of the other until the recent death of the father of both. Now, however, they are half brothers. During the voyage, they meet Sean, an enigmatic Irish adventurer who will join them on the journey.

Zagros (26) is a shepherd who lives in a Kurdish village with his pregnant wife Havin and their daughter. His father tells him that people gossip about Havin: there are rumours of her having an affair. Zagros brushes his father’s concerns away as he trusts his wife and refuses to give credit to the rumours. Later, while Zagros tends to his sheep, he learns that his family have accused Havin of adultery and locked her up. Zagros returns to his village but finds his wife and daughter gone. Havin has fled to the west with their daughter and unborn child. Zagros, believing his wife’s innocence and opposing his father, travels to Istanbul and meets a smuggler who can take him to the west…

A woman, hospitalized for a relatively long period, observes what surrounds her. She has time to dream, to revisit certain moments of her life. These memories, like small bubbles begin with her birth in Marseille in 1949 and bring us to Antwerp, Paris, New York, England… to end in Flanders in 2015, after she gets out of the hospital. There Was A Little Ship is a filmic-biographical essay, sincere and poetic.

Martin, a sculptor, is dying in his bed on a barge that floats along a fog-shrouded waterway. As he agonizingly descends into a final oblivion, his second wife is at his bedside, comforted by his first wife -- also present.

In this film, director Rene Feret tells the story of his parents' lives. In 1935 his mother Aline works in her parents' cafe in a mining town in northern France. There, she meets a customer, Pierre and decides she is going to marry him. In a reversal of roles, she is the one who proposes to him, and she also engineers a false pregnancy to persuade her parents to okay the match. With a few stops along the way, the story picks up after the war with the birth of the couple's third son, who is given the name Rene in memory of their first, dead son. Never rich, they achieve some level of financial stability just as their sons are about to head off to the city for college. The love between the two older people is highlighted in a poignant scene as, just as he is about to die, the father shares a champagne toast with his wife in memory of one of their happier moments.

Franco’s dictatorship, one of the longest and most violent dictatorial regimes in the history of the 20th century, has been kept silent by Spain since the transition and the recovery of democracy. In December 2007 following the approval of the controversial Historical Memory Law, whereby the Spanish government finally intends to lift the veil over this dark period, and thus do justice to the hundreds of thousands of victims of Francoism. From this starting point, the filmmaker José-Luis Peñafuerte (grandson of exiles) takes us on an authentic film journey through the roots of that hidden European memory, in order to open a window against oblivion.