Deutsche Film- und Fernsehakademie Berlin (DFFB)

Jakob, a young policeman from a remote village, has his world unhinged when a stranger in a dress emerges from the forest and begins killing villagers with a sword.

Real estate agent Christian travels the countryside scouting for investment prospects. In a forgotten, seemingly abandoned village far off the main roads, he finds more than he is looking for. Getting entangled in an encounter with a taciturn teenage farmhand, he confronts his sexual frustrations and, in the process, gets drawn into the undergrowth of a bloodthirsty rustic community.

Documentary about the roots of the charismatic nun Crescentia in her Allgäu homeland, her miraculous work and her canonization by the Pope.

In the 15th century, a young goatherd living alone in a mountain hut feels a dark presence in the woods.

Arthur & Diana are siblings. Together with Diana's 2-year-old son, they leave Berlin for Paris for a small, relaxed trip to do the annual safety inspection of their old rusty Renault. But the journey will not be relaxed, the direction not Paris and whether the car will go along is all too questionable...

In the Georgian riverside town of Kutaisi, summertime romance and World Cup fever are in the air. After a pair of chance encounters, pharmacist Lisa and soccer player Giorgi find their plans for a date undone when they both awaken magically transformed with no way to recognize each other.

Shortly after World War II, over 1,000 paintings were found in a cellar in southern France. The paintings were created by a young Jewish woman named Charlotte Salomon. She painted her turbulent life story in a unique creation called: ‘Life? Or Theater? – A Tri-Colored Operetta.’ Death and the Maiden unravels the story behind her creation.

An austere treatise on the military-industrial complex that produces napalm.

The story of a seemingly settled bank employee who breaks the shackles of his everyday life and becomes a wanderer between worlds. Frederik is an up-and-coming young bank employee who lives an ordinary life. When a bank customer, whom Frederik has denied a loan in the face of the bank crisis, shoots himself in front of Frederik, he snaps. Together with ex-con Vince,he begins to live out a new, dark side of himself. He robs his rich bank customers' homes and gives the money to the needy. The initial rush of crossing social boundaries soon develops into an addiction to ever greater thrills.

December 1999. I remember that, amidst the Millennium Bug anxiety, I went to the birthday of Enrico, a kid who lived with his family in an old and isolated farmhouse.

Berlin’s notorious Neukoelln district. The near future. A time in which the health system has collapsed. A man works in the shadows and without license as a doctor. He has no practice, no appointments system. He treats people in the courtyards and streets – everywhere he’s needed, stealing medicine from pharmacies. Nobody knows his name or that by day he’s the caretaker of a shabby tenement building. He pushes boundaries and suffers defeats that cost him the last of his strength. Forced to adopt the role of a shadow, an outlaw, he is confronted with the question as to whether he really is a doctor.

After many years apart, Emilie meets her brother Jakob again. She not only shares her sadness about the loss of their parents with him, but also a secret...

A depiction of the Wrangelkiez neighbourhood in Berlin. The people portrayed tell their life stories. One woman came to the neighbourhood a decade ago to work in Berlin’s still unfinished Brandenburger Airport, one man reminisces his childhood on a Tobacco farm in Kentucky, another speaks of an exceptional day in an otherwise monotonous workplace. These portraits are interwoven with the story of Elpi, a Greek woman who is waiting for the long overdue visit of an old important friend. The outcome of this mixture is a film which captures the lives and perspectives of some of Wrangelkiez’s most commanding citizens, while at the same time evoking the loss that change and time passing means for places and for people.

What stops two people from being together? A third one. What stops one person from fighting for another? Nothing. Pedro lives in the suburbs, where he works with his father in a garage. Everyday he takes the bus downtown where he goes to school and meets his friends. It's summertime and they all go down to the river where they spend their free time or even their school time. Among joints, motorbike riding and swimming, everything seems to go well with this group of friends, until the moment when Pedro and his best friend find out that both of them like the same girl. Pedro finds himself inside a downward spiral, where everything around him seems to fall apart. Like a magnet attracts the iron, Pedro seems to attract problems, from the school until his relationship with his parents. This is the story of Pedro, who by having his head being pushed down so much learned how to breathe under water.

Nina, a young actor, returns to the Ruhr region for her grandmother’s funeral. Tensions surface between her and her mother. The noises of a small town fill the eloquent silences in the complex mother-daughter relationships explored in this endearing film.

In the Lesotho highlands, a 15-year-old boy tends his family's flock of sheep alone through the winter. His younger brother might have to quit the village school to help him. And two girls attempt to maintain their unique friendship when one of them goes off to attend a better school and the other stays in the village. Over the span of two years the film accompanies four teenagers in an isolated mountain village on their path to adulthood - a path between individuation and tradition.

A young photographer has fallen in love with his girlfriend's sister. Nobody knows quite what to do. A stylish variation on the problems of triolism made with striking stability of style and a great feeling for mise-en-scène.

Martin leaves his protective parents’ home and comes to Berlin as a law student with high hopes. He finds a tiny, run-down flat in a strange, dark apartment block, from which the previous tenant has disappeared without a trace. Having no luck with social contacts at the university, Martin quickly falls for his mysterious landlady Simone, who lives just next door behind a thin wall. Hoping to find trust and intimacy, Martin loses himself in the house’s disturbing world of sex and violence. Deep in the walls, Martin discovers the true horror of his first love.

It is a Saturday in autumn, and Karin and Simon are visiting their parents and youngest sister Clara. This family gathering provides the occasion for a dinner together, at which other relatives appear over the course of the day. While the family members animate the apartment’s space with their conversations, everyday activities and cooking preparations, the cat and dog range through the various rooms. they too become a central element in this quotidian familial dance that repeatedly manifests stylized elements, disrupting any naturalistic mode of presentation. In this way, adjoining spaces open up between family drama, fairy tale and the psychological study of a mother.