The Danish Film Institute

The Hans Christian Anderson tale gets a new treatment, this time with a rat trying to exploit the talents of a little ugly duckling for profit.

Nationwide quietness. The streets are empty. Everyone’s glued to their screens at home, watching the final game. In the outskirts of Denmark, close to the German border, a small gas station needs to be open for service, even on this special night. Two young women have the shift. Ambitious Agnes is in the backroom putting finishing touches on her thesis, while free-spirited Belinda is on her phone, hoping to get the attention of her boyfriend. Unfortunately, the shift is not going to be as uneventful as they think, because no customers also means no witnesses, and the girls have been spotted to play a special part in a very different sort of game.

Masha Drokova is a rising star in Russia's popular nationalistic youth movement, Nashi. A smart, ambitious teenager who – literally – embraced Vladimir Putin and his promise of a greater Russia, her dedication as an organizer is rewarded with a university scholarship, an apartment, and a job as a spokesperson. But her bright political future falters when she befriends a group of liberal journalists who are critical of the government, including blogger Oleg Kashin, who calls Nashi a "group of hooligans," and she's forced to confront the group's dirty – even violent – tactics.

Ane and Thomas are in the middle of a divorce - when Ane suddenly suffers a stroke. They decide to stay together until Ane gets back on her feet, but as she struggles to return to life, love manifests where they least expected it.

I traveled to South Africa to find a white family living on a desolate farm. I wanted to film how they faced the new days of equality after the fall of Apartheid. But I soon lost my way both on the endless roads and in my way. Instead, the film became a story about two very different women who both experienced a tragic loss in the midst of a white community not too fond of the future.