The Unscrupulous Ones

The Unscrupulous Ones 1962

6.30

Upon learning that his rich dad is on the brink of bankruptcy, spoiled Vavá summons his friend Jandir with a plan to get some quick cash: they will blackmail an uncle of Vavá by taking compromising photos of his lover, Leda.

1962

Barren Lives

Barren Lives 1963

7.46

In vivid images, the documentary-like story of a drover and his family in the northern badlands of Brazil during the drought. A family in the search of new hope and destiny.

1963

Carnival of Crime

Carnival of Crime 1962

1.00

Mike, an architect, is married to Lin, a beautiful and unfaithful woman. Returning from a trip, he finds she's disappeared. When he tries to locate her, he also learns about her many affairs, and he gets closer to Marina, his efficient assistant, who helps him solve the mystery.

1962

The Deceased

The Deceased 1965

7.20

After visiting a fortune teller, Zulmira is informed that a blonde woman will threaten her peace. After talking to her husband Toninho, she suspects that her cousin Glorinha may be that blonde.

1965

Os Homens Que eu Tive

Os Homens Que eu Tive 1973

4.70

Married woman only feels well when she's in love. In search of a ravishing love, she has many love affairs, with her husband's consent.

1973

Assault on the Pay Train

Assault on the Pay Train 1962

8.00

Based on true events in Rio de Janeiro, in 1960, when a gang having the infamous outlaw Tião Medonho as a leader performed a sensational railroad hold-up on a train carrying a small fortune.

1962

Paraíba, Vida e Morte de um Bandido

Paraíba, Vida e Morte de um Bandido 1966

5.50

True story of a famous and violent Brazilian outlaw nicknamed "Paraíba". After being shot, Paraíba tries to hide inside a church, where he starts remembering episodes of his criminal life.

1966

Hunger for Love

Hunger for Love 1968

5.20

An extended research tour of US university film programs introduced dos Santos to the American avant-garde filmmakers, among them Jonas Mekas and Stan Brakhage, who would directly inspire his formally radical adaptation of an allegorical short story about adultery and colonialism by Guilherme de Figueiredo. Filmed in both Manhattan and Brazil and set against the background of the Vietnam War and its protests, Hunger for Love uses a rigorously abstract soundtrack and narrative structure to evoke the acute paranoia of the period building up to the December 1968 military coup that tipped Brazil perilously close to a conservative dictatorship. With its harsh critique of the decadent tendencies of the Sixties counterculture, Hunger for Love offers a key expression of the self-consciously “ideological” phase of Cinema Novo. -Harvard Film Archive

1968

Vai Que é Mole

Vai Que é Mole 1960

4.00

A group of scoundrels want to make it by planning hoaxes.

1960

My Sweet Orange Tree

My Sweet Orange Tree 1970

6.90

Poor boy treats a sweet lemon tree as his only friend, talking to it, and learning important values in the process. But one day the tree must be cut.

1970

Tragic Jungle

Tragic Jungle 1963

6.50

In a company trading maté, workers are treated as slaves. Some of them try to escape, but those who are caught suffer severe punishments.

1963

Lollipop

Lollipop 1964

3.50

While still a child, Lollipop falls in love with her orphaned cousin Silvio, who has been raised as a member of the family by her father, Dr. Arnaldo, a highly respected government official. Years pass, and to Lollipop's dismay, Silvio becomes engaged to her cousin Leticia. During the engagement party, the enraged Lollipop seduces Silvio, and sometime later, she reveals to Leticia that she is pregnant as a result of the encounter.

1964

De Pernas Pro Ar

De Pernas Pro Ar 1957

1

A street vendor and a servant theater, newly unemployed, accidentally swap their briefcases trinkets for one of three bandits who just rob a bank. The chase, which also involves two "rapas" only ends when, aided by a chorus girl, unwittingly participating in a musical number of the show's theater company.

1957

Bonga, o Vagabundo

Bonga, o Vagabundo 1969

4.80

Bonga is a bum who lives on the streets, alone and free, with no commitments, except for pulling off naive scams to get food. When he is in front of a nightclub, he meets a gigachad and builds a great friendship with him. The boy's businessman father pressures him to get married and so, with the help of the bum Bonga, they come up with a plan to introduce a fake fiancée to the family. But things don't go as expected, they get complicated, and at the time Bonga takes another friend he met on the streets and is in love with to his friend's house.

1969