Bulky Trash

Bulky Trash 1991

1

In early summer 1989, Helke Misselwitz portrays young musicians in a band who produce their music on other people’s waste items. The four boys call themselves "Bulk Rubbish" and they drum out their resentment, having grown up on the new housing estates of East Berlin. A straight-up picture of the GDR youth is presented here, which in no way conforms to the official image. The film crew concentrates on the observation of the boy Enrico and his mother Erika: when the mother marries in the West, her son decides to stay in East Berlin, bidding her farewell at the border-crossing. Only shortly after, the tables are turned again: as the events in Berlin leading up to the fall of the Wall are practically captured live from the film crew, Enrico insists on maintaining his cultural identity, even after the fall of the Wall. The "Bulk Rubbish" musicians want to remain citizens of their own state and perceive the looming reunification with scepticism.

1991

The Wind Rose

The Wind Rose 1957

5.00

An international anthology about the struggles of female workers around the world.

1957

Anmut sparet nicht noch Mühe

Anmut sparet nicht noch Mühe 1980

6.30

The first summarizing film about the path of the class and the common stations in life. But also about the different paths in the profession, in love, marriage and family. As well as a soldier. A group chronicle, viewed from the historical distance of the 35th year of the end of the 2nd World War and after 18 years of shooting in peace, which ensured everyone the first human right: they were allowed to live.

1980

From Us To Me / Vom Wir zum Ich

From Us To Me / Vom Wir zum Ich 1988

8.00

This first co-production between the GDR and Great Britain is intended to contribute to an understanding of the situation and attitudes of millions of working people in opposing social orders. Using the example of shipyard workers, fishermen, the brigade and family of a trade union active cook and unemployed person of various ages and professions in Newcastle on the one hand and a brigade of crane operators of the Warnowwerft and fishermen of the Warnemünde cooperative on the other hand, insights into the way of life and attitudes of people of our time are to be conveyed.

1988

Martin Luther

Martin Luther 1981

1

Using some unique documents and pictures, this colour film shows the life and work of Martin Luther in the context of his own time and his relevance to our time. Most of the places associated with Luther, the great Reformer and translator of the Bible, are in the GDR. Thousands upon thousands of tourists visit these places every year and learn how his legacy is kept alive and how it is protected today and for the future.

1981

After Winter Comes Spring

After Winter Comes Spring 1989

7.60

A locomotive journey traversing the North to the South of the German Democratic Republic on the eve of its dissolution. Labourers, punks, mothers, intellectuals, young and old are implored to reflect on their life choices, the sacrifices they've made, and their place in the world. Despite everything, hope persists.

1989

Tango

Tango 1985

1

A brief history of the emergence and artistic innovations of tango in 19th-century Argentina and Europe. The film offers a mosaic of tango melodies, art works, dance performances, historical footage, photographs of Buenos Aires at the turn of the 20th century, and texts by Celedonio Flores and Enrique Santos Discépolo.

1985

Who's Afraid of the Bogeyman

Who's Afraid of the Bogeyman 1989

1

Portrait of a private coal company in East Berlin's Prenzlauer Berg district in 1988/89. The feisty woman boss runs the business with humour and understanding. Her seven male employees respect her. To the outside world, they are all tough guys, but as they describe their jobs and personal situations, above and beyond the hard manual labour, their vulnerability starts to come to light.

1989

Ribnitz-Damgarten

Ribnitz-Damgarten 1989

1

Ribnitz-Damgarten, the jewel at the coast of the Baltic Sea, is located directly at the Saaler Bodden, between Stralsund and Rostock. The town and its surrounding area are made for vacationing. This documentary from 1989 also shows the other side, like, for example, how the increasing population density and the industrial production influence the ecological balance of the region. A community for the protection of the Bodden landscape is actively making an effort for conservation. At the institute for deep-sea fishery, research about the fish population is conducted, and agriculture as well is looking for solutions to preserve an intact environment.

1989

Last Year Titanic

Last Year Titanic 1991

5.70

Director Andreas Voigt interviewed people of different ages and social backgrounds about their experiences after the fall of the Berlin Wall. He paints an important picture of this historic period in German history, filled with radical social and economic change and insecurity. Last Year Titanic was shot from December 1989 through December 1990 — the last months of the GDR and the first months in united Germany.

1991

Song of the Rivers

Song of the Rivers 1954

5.00

An allegorical documentary about the workers of the world, whose common destinies and hopes for peace are symbolically united by the rivers that run through their respective lands. The film was shot on the Volga, the Mississippi, the Nile, the Yangtze, the Amazon and the Ganges and combines these images of five continents with the music of Dmitri Shostakovich and the poetry of both Bertolt Brecht and Paul Robeson.

1954

Vacation in Sylt

Vacation in Sylt 1957

5.40

Urlaub auf Sylt (Vacation in Sylt) (1957) is an East German documentary directed by Annelie and Andrew Thorndike. The film investigates the past of Heinz Reinefarth, a former SS general involved in the suppression of the Warsaw Uprising, who later became the mayor of Westerland on the island of Sylt. Using archival footage and contemporary interviews, the documentary exposes Reinefarth’s wartime crimes and critiques his post-war political career in West Germany. Produced by DEFA, the film serves as a sharp indictment of former Nazi officials holding public office after World War II.

1957

Nude Portraits – Gundula Schulze

Nude Portraits – Gundula Schulze 1984

8.00

Photographer Gundula Schulze wrote her graduate thesis on "nude photography of women in East Germany". It's a subject she continues to pursue in her photography. She considers the stereotype of superficial nude photography anachronistic, and talks vividly about being at pains to develop a relationship of trust with the women she photographs. Schulze wants to show what makes up the "whole woman", living up to her position in East Germany. Scenes of women in the professional world have been edited into the film.

1984

What We Remember

What We Remember 1984

1

Nine very private encounters with different people of the post-war generation and their memories of childhood and youth. Among others, the guitarist and singer Peter "Caesar" Gläser and the actress Christine Harbort. Roland Steiner asked his contemporaries about - "What we remember ...". All interviewees are as old as the state they live in. Nine CVs from the GDR are described. They have different professions, from skilled worker and scientist, nurse and saleswoman, actress or rock musician, even a minstrel is included. They remember what shaped them: Family, school, birthdays and hot summers, the happy moments and their own failures.

1984

Diese Golzower - Umstandsbestimmung eines Ortes

Diese Golzower - Umstandsbestimmung eines Ortes 1984

7.00

Around the festival week for the 675th anniversary of Golzow for GDR television a portrait of the village, its landscape and agriculture in the past and present. In sketches also the parents' generation and the current state of affairs in the lives of some of our "children of Golzow".

1984

Paul Dessau

Paul Dessau 1967

1

The film’s subtitle identifies it as a “study of the constructive discontent of a composer”. It is a portrait of the pugnacious musician Paul Dessau (1894 – 1979), who was controversial in East Germany, as a teacher. It follows the composer as he rehearses the “Bach Variations” with the Berlin state opera orchestra, as well during classes at the Polytechnic School I in Zeuthen, where he strives to teach the students a critical attitude. In an interview, Dessau bemoans the simplification of artistic media and elucidates the meaning and necessity of “hard sounds in an era that is not soft”. As we see when he works, “pleasure requires effort” … “art is never comfortable. Building socialism is not comfortable at all. That’s why I’m in favour of the uncomfortable”.

1967

Dass ihnen der arme Mann Feind wird

Dass ihnen der arme Mann Feind wird 1975

1

This documentary shows the German Peasants’ War between 1524 and 1525 and looks at the role of Thomas Müntzer in it. Müntzer, who was a follower and admirer of Martin Luther, directed his resistance not only against the clerical authorities ruled by the papacy, but also against the secular worldly order. In Mühlhausen, Müntzer worked as a pastor in the Marienkirche and later became an agitator and promoter of the violent liberation of the peasants. Luther distanced himself from Müntzer at the beginning of the Peasant Wars. In the battle of Frankenhausen the rebels were completely defeated, Müntzer captured, tortured and publicly executed on May 27, 1525.

1975

Hirde Dyama

Hirde Dyama 1971

1

The first Hirde Dyama National Festival of Culture of the Republic of Guinea was held in March 1970 in the country's capital city of Conakry. The film features many colorful and diverse performances and highlights the protection of traditional West African cultural traditions and art forms under President Ahmed Sékou Touré.

1971