Posthumous tribute paid by actor Luc Bernard to his older brother, director Guy Gilles ( 1938 - 1996 ). Documentary composed of interviews with some of his brother's friends and some actors from his main films, excerpts of which we see.
First performed in 1732, Marivaux's play on the theme of cross-dressing, depicts the stratagems of the young princess Léonide in love with Agis, the legitimate heir to the throne of Sparta. To meet the prince, watched over by the philosopher Hermocrates and his sister, Léonide disguises herself as a man and seduces the whole household.
At 35 years old, photographer JR is a street art worldwide star. Discovered after the Paris’ suburb riots of 2005 for his portraits of young people, his collages have adorned the galleries of the Louvre, the Pompidou Center, the Pantheon, the National Assembly ever since … From New York to Shanghai, and the Israeli-Palestinian wall to the US-Mexico border, he has stuck or exhibited giant photos on the walls of dozens of countries and associated hundreds of thousands of unknown artists with his projects. With the active collaboration of the artist himself, the documentary “# JR” tells the extraordinary adventure of this art activist whose spectacular interventions are all clear expressions of humanism, pacifism or remembrance relayed by his very strong involvement in social networks. For JR, art can help change the world.
During the long journey that brought him home victorious in the Trojan War, Agamemnon fell in love with one of his captives, Cassander, daughter of Priam, with whom he had children. The reception in Argos, more than ten years later, was icy. Annoyed by the double indelicacy of her husband, Clytemnestra, his wife who had meanwhile become the mistress of Aegisthus, killed him with the help of her lover. Aegisthus then became the regent and ensured the prosperity of the city alongside his mistress, the widowed queen. But Electra, one of the daughters of Agamemnon, has always foreseen the murder and adultery of her mother. Solitary, wild, she lives in the royal palace awaiting the return of Orestes, her brother who has taken refuge since childhood with an uncle, in order to take revenge. Electra can begin, the crimes of the Atreides family continue quietly, as planned.
It has been years since Don Alvaro Dabo, the Grand Master of the Order of Santiago, has given up the profession of arms. Now retired in Avila, Castile he lives there in an austere and unadorned residence. Devoting all his time to prayer, he has become contemptuous of the vanity of all earthly goods. Mariana, his daughter, accompanies this proud man's life with admiration and fear. At a gathering of his Order, the knights tell him of a prestigious position in the New World offered by the King. Nothing easier than to make a fortune in such an Eldorado. With this money, he could endow his daughter and marry her to Don Jacinto, her beloved. But will the sainted man agree to, just for the sake of Mariana, stoop to the level of those he disdains?
Olga, Masha, and Irina Prozoroff lead lonely and purposeless lives following the death of their father who has commanded the local army post. Olga attempts to find satisfaction in teaching but secretly longs for a home and family. Masha, unhappy with her marriage to a timid schoolmaster, falls hopelessly in love with a married colonel. Irina works in the local telegraph office but longs for gaiety. Their sense of futility is increased by their brother's marriage to Natasha, a coarse peasant girl. She gradually encroaches on the family home until even the private refuge of the sisters is destroyed. They dream of starting a new life in Moscow but are saddled with the practicalities of their quiet existence. Despite their past failures, they resolve to seek some purpose and hope when the army post is withdrawn from the town.
The widow Champbaudet believes herself loved by an architect. But the young man actually has views on the neighbor upstairs. Cunning, he multiplies his visits to the widow with the sole aim of getting closer to the beautiful Aglaé. It was without counting on the husband of this one, whose jealousy could well play nasty tricks on the heartthrob of these ladies!
Created in 1861, this comedy by Eugène Labiche depicts two bourgeois families obsessed with appearances who intend to marry off their children. Labiche exposes the social rivalry between the two families through tyrannical female characters and submissive husbands, whose only concern is to create illusions in society.
1661, the Assemblée du Clergé de France obliged all clergy to sign a form testifying to their submission to the decisions of the Holy See. In 1664, the Archbishop of Paris wanted to impose this decision on the nuns of Port-Royal. Among them was Sister Angélique de Saint Jean, admired by the very young Sister Françoise, who looked to her for comfort.
On the terrace of a Parisian café, Paul Valéry observes his neighbor, Monsieur Teste. The two men strike up a conversation. A supporter of "neither god nor master", Mr. Teste engages in a regular introspection, as rigorous as it is passionate, and shares his thoughts with humor.
Two married couples share the same holiday house. Everything seems to go smoothly except that Pierre, one of the two husbands, is irresistibly attracted to Marthe, his friend's wife. As for the latter, she feels exactly the same for him. One night (or is it the same thing every night?) Pierre and Marthe remain in the living room after their mutual partners have gone to bed. They talk and banter pleasantly until they half-wordily evoke the present that could be theirs if they had married each other or what future they could contemplate if they escaped together.
