The Ouija Board

The Ouija Board 1920

6.30

Max Fleischer draws Koko and a haunted house, while his colleague and the janitor mess around with a Ouija board. When Max goes over to take a look, Koko is haunted by ghosts and inanimate objects, and escapes into the real-world studio.

1920

The Tantalizing Fly

The Tantalizing Fly 1919

6.40

A film in the “Out of the Inkwell” series, an early animated short from Max Fleischer.

1919

The Pelican's Bill

The Pelican's Bill 1926

1

A young boy steals jam from his mother and his mother tells him the story of the pelican and the monkey who stole everything in sight. The monkey was punished by having to make little rock out of big one on the chain gang, and the pelican has his bill padlocked.

1926

The Cuckoo

The Cuckoo 1920

1

A silent ornithology film from Bray Studios

1920

How the Telephone Talks

How the Telephone Talks 1919

1

"All sounds travel in waves much the same as ripples in water." Educational film produced by Bray Studios New York, which was the dominant animation studio based in the United States in the years surrounding World War I.

1919

Perpetual Motion

Perpetual Motion 1920

4.50

Part of Max Fleischer's "Out of the Inkwell" series.

1920

The Clown's Little Brother

The Clown's Little Brother 1920

6.00

Koko the Clown's little brother comes to visit and wreaks havoc in Max Fleischer's studio.

1920

Jerry on the Job: Cheating the Piper

Jerry on the Job: Cheating the Piper 1920

2.70

When the New Monia station is overrun with mice, Mr. Givney can only shoot them one at a time, but Jerry uses a flute to lure them out, "Pied Piper of Hamlin" style.

1920

The Clown's Pup

The Clown's Pup 1919

4.50

Max Fleischer draws a clown, who comes alive on the page. The clown doesn't like the way he is drawn and demonstrates his own artistic abilities.

1919

The Circus

The Circus 1920

7.10

One of the "Out of the Inkwell" series of silent short films featuring a combination of live action and hand-drawn animation.

1920

The Chinaman

The Chinaman 1920

7.00

Max Fleischer considers hiring a new cartoonist. While the new guy draws Max's portrait, Koko gets into a fight with a cartoon Chinese man.

1920

The Wireless Wire-Walkers

The Wireless Wire-Walkers 1921

1

The Wireless Wire-Walkers, also released as Wireless Wire Walker, is a 1921 silent animated film starring Krazy Kat. The film marks the final Krazy Kat film produced by Bray Studios before the filmmakers moved to Winkler Pictures.

1921

Tea Pot Town

Tea Pot Town 1936

5.00

Created in conjunction with Lipton as a soft-sell for its products, Tea Pot Town seems largely inspired by the Sunshine Makers narrative. Just as Sunshine Makers promoted milk - showing cheerful gnomes using it to cheer up their gloomy rivals - Tea Pot Town purported that drinking tea once per day added positivity to life and helped chase away negative thoughts.

1936

The Tail of the Monkey

The Tail of the Monkey 1926

4.70

After an organ grinder's monkey grabs a little girl's lollipop with his tail, the musician explains why monkeys are so clever with their tails.

1926

Jerry on the Job: The Mad Locomotive

Jerry on the Job: The Mad Locomotive 1922

1

This one is amusing in its early use of the rubber tire school of animation as Mr. Givny informs Jerry that they are out of coal for the train. The passengers who appear behave amusingly and when the train itself takes on anthropomorphic life, it makes its own sense -- outrageous for the day, even if slightly banal for fans of "Thomas the Engine".

1922

Custard's Last Stand

Custard's Last Stand 1927

1

A black man walks into a bar. Or at least a white man with blackface on, and hilarity occurs.

1927

Colonel Heeza Liar's Forbidden Fruit

Colonel Heeza Liar's Forbidden Fruit 1923

3.00

Forbidden Fruit begins with New York in the grip of a banana shortage. Residents sing (or scream) “Yes! We Have No Bananas,” the hit novelty song of 1923 (inspired by real-life banana shortages—the film also references current events by mentioning mobster Louis Cohen, arrested for murder the same year). The scene shifts to animator Walter Lantz strumming the song on his guitar, before a co-worker presents him with a banana that transmogrifies into Colonel Heeza Liar, who tells the tale of how he ended “the great banana famine in 1923.”

1923