From Panagonia to Nunavut, during four years, Carlos Ferrand visited dear friends, men and women he met wandering the americas. All the while, observing the way of life of the forgotten populations and learning about the fate of some indigenous people.
Nestor, Lei, Pierrette, Mohamed, Hafida, Marius, Marc, Galina, Genady, Mike and Lala: through their presence, Le temps qu’il fait weaves a mosaic of stories in which dreams and disappointments, hopes and worries intertwine with the life that is before them. In counterpoint, there are these new landscapes of financial centers, abandoned industrial spaces and wasteland from which we hear the echo of speeches that call to take the train of the new economy. By their simple attachment to a profession which gives them a living, the men and women of the film put up resistance to these slogans. Little by little, a radical rupture is emerging between economic thought and the movement of life. A break that shapes the present time.
Posted on the FBI Ten Most Wanted List in 1977 for his involvement in bombings perpetrated by the United Freedom Front, he was arrested in 1984. From his prison cell in 1992, the political prisoner Raymond Luc Levasseur writes 'My Blood is Quebecois' in which he explains his rebellion and his radicalization by his status as a 'frog' and the racism he witnessed in a small mill town of Maine where his ancestors came to work in the factories. Released in 2004, he returned to his native Maine where he tells us about his career, from his childhood in a French Canadian family until today.
An unconventional activist epic, filmed in Greece over several years among the many refugees and amidst some of the mass demonstrations that have rocked the country. The film is at once an essay, guerrilla journalism and poetic portrait. It tackles the socio-political upheavals of a country that stands alone in bringing down the western neoliberal model.
