A father and son, live from day to day by carrying out petty crimes for the local mafia. Hired to kidnap a man and to deliver him across town seems simple enough until the man dies in the trunk of their car. What follows is a panicked after-hours odyssey with the police looking for them, the mafia expecting a live delivery, a dead body rotting in their trunk and they have no idea what awaits them next…
Longtime friends, Mehdi and Hamid, work for a collection agency. They crisscross the villages of southern Morocco in their old car and share double rooms in shabby hotels. They are exactly the same size, and wear the same suits and ties, as well as the same shoes. Paid nearly nothing, they try to play hard to make good figures. One day, in a gas station planted in the middle of the desert, a motorcycle parks in front of them. A man is handcuffed to the luggage rack, threatening. It’s the Evader. Their meeting marks the beginning of an unforeseen and mystical journey.
In hellish Casablanca, a car-crash sets ablaze a burning, passionate love story between has-been rocker Larsen and the streetwise amazon Rajae. An unspoken trauma is their common history; rock n' roll their mutual saviour. Larsen's snakeskin-covered guitar and Rajae's liquid gold voice could be heaven, if only everything from his drug-induced visions to her music-buff pimp didn't get in the way. The only hope for their blooming romance is to skip this ferocious town. Is there a way out of this crazy Moroccan underworld with its menagerie of sadistic cops, venomous snakes, metal concerts and shotgun-wielding modern-day Calamity Janes? For these punk Romeo and Juliet, maybe the answer lies in a song - the one they've been writing and dreaming together : Zanka Contact
Tadjoura, Horn of Africa, 1886. Arthur Rimbaud, who as a teenager was a scandalous and brilliant poet, now makes his living as an arms dealer.
Twenty-seven-year-old Nour has immigrated illegally to Marseille, where he and his friends live a marginal and festive life. From 1990 to 2000, Nour loves, grows older and clings to his dreams, damaged by the melancholy of an irreversible exile.
Casablanca, Morocco. A trio of women, with the police on their tail, embarks on a long escape that takes them across the rugged red terrain and flower-filled valleys of the Atlas to finally reach the Atlantic coast.
Soundouss and Jaâfar, two gay youths from Casablanca, spend the summer in Cabo Negro in the north of Morocco, at a villa rented by Jaâfar’s American lover—who does not show up. The friends decide to stay in the villa and do the best they can.
Volubilis is a tale of love in a world of despair, of beauty among the ruins. In the Moroccan city of Meknès, recently married Abdelkader and Malika struggle to make ends meet. They dream of leaving the family house and finally starting a life of their own together. But one day at work, Abdelkader gets mixed up in a violent incident that will turn their lives upside down.
Bab Sebta is built of a series of reconstructions of diverse situations observed in Ceuta, a Spanish enclave in the North of Morocco. A place where manufactured goods are entering the state exempt of taxes, to be sold at a discount prices in the cities of northern Morocco. Every day, thousands of people engage in cross-border exchanges of all kinds, more or less legal. Based on situations witnessed while crossing the border, this experimental video reconstructs the mise-en-scène of this unique place, involving real smugglers and police reports on trafficking, tricks and occasional tragedies.
Morocco, 2004. Adil, aged 11, spends the summer playing with his friends and waiting for his idol, Olympic runner Hicham El Guerrouj, to compete in his last Games. The arrival of his father and older brother from France for a few days will mark him forever.
Maine and her family are accompanying her father’s coffin to the small Moroccan village where he is to be buried. Tomorrow, the men will take the body to the cemetery while the women, in accordance with tradition, wait at home. That is not something Maine can accept, however. She is determined to go with her father to his final resting place.
