Spoor 2017
A story about Janina Duszejko, an elderly woman, who lives alone in the Klodzko Valley where a series of mysterious crimes are committed. Duszejko is convinced that she knows who (or what) is the murderer, but nobody believes her.
A story about Janina Duszejko, an elderly woman, who lives alone in the Klodzko Valley where a series of mysterious crimes are committed. Duszejko is convinced that she knows who (or what) is the murderer, but nobody believes her.
Tony has been glowing since the day he was born and it causes him a lot of trouble. Just before the Christmas, a new odd girl with thick glasses moves into Tony’s house. Shelly has a strange way of expressing herself. Tony is fascinated by her but he is also being cautious at first. Together with Shelly’s flashlight, they explore their house and they are slowly getting to know each other. The kids have to join all their efforts to figure out who’s behind the circuit of dark cracks that sucks out all the light bulbs, even the daylight. It must be because of the “Spirit of the house”. A film about being different, about friendship, and first loves… But above all about light and darkness.
During an unsuccessful burglary attempt, Jaroslav accidentally kills his old neighbour. His wife, Dana, concocts a plan to make the murder seem like an accident. Another neighbour stands in the way, however, whom they also have to eliminate. Dana convinces Jaroslav to help her. They attempt to use this incident to solve some of their financial problems. With the vision of easy money, the Stodolas start killing elderly people. Initially, they proceed to cover up the murders as accidents or suicide and the police do not do much to prove it otherwise.
A mother's love for her son is tested by his increasingly alarming behaviour.
An aged farmer moves to the urban city for the first time in his life. He befriends a paper delivery boy in the neighborhood and their connection changes the course of both their lives and the boy's family.
After the Soviet invasion of Czechoslovakia in 1968, Libuše Jarcovjáková, a young female photographer, strives to break free from the constraints of Czechoslovak normalization and embarks on a wild journey towards freedom, capturing her experiences on thousands of subjective photographs.
When the son of Ukrainian immigrant Irina is attacked, the whole city stands up in solidarity with her family and condemns their Roma neighbors, who allegedly committed the crime. But soon another truth starts to emerge.
Eliseé survived the Rwandan genocide as a child. Today he leads an orphan acrobat group in a country, which heavily relies on foreign aid. He cares for the orphaned children and wants them to be happy, to have some sense in their lives. Rosta Novák built a worldwide-acclaimed circus group in Prague, where he successfully rules with a firm, paternal hand, but has permanently dark under-eye circles from the workload. The majority of Rwandese think that all people in Europe are fairy rich. On the other hand, many Europeans think that it is necessary to help Africa with everything. What happens, if we merge these two worlds in a film, during the preparation of a joint circus performance? What are the true motivations of our protagonists and what does it tell us about the Africa-Europe relationship? And who actually helps whom, in the end?
A short film about ties and gaps between a child and a parent. The author rediscovers letters her dad used to write her from prison. That love seems to be gone now. She decides to write back in hope to find the connection again. She puts in writing what could not be said: blaming him for family´s break-up but also trying to understand.
At first glance, Chameleon and Kiwi are a strange pair: While the former calls attention to himself with his changing colors, the molting and frightened Kiwi avoid attention at all cost. But when a storm robs them of the roof over their heads, differences no longer matter: Together, they must reach the wooden boat by the shore. But it’s not easy! The ark is for couples only, and Chameleon with his darting tongue and the cross-eyed Kiwi are definitely not a couple.
The rise of the extreme right in Brazil from the perspective of artists whose works were censored.