Pontificia Universidad Católica de Chile

Lucía (16) reunites with her sister Ema (17) after years apart. A journey through their rural birthplace brings present and past together, leading them to a difficult truth.

In a fishing village contaminated by a thermoelectric power plant, Mecha (33) is the grieving soul of an environmental activist who died under suspicious circumstances. The day after his death, she tries to reconcile with her son Juan (16) and to make him take charge of her memory.

A non-binary folk watches the handover of the first non-binary ID in the history of Chile. As they try to do the paperwork, they will face the bureaucracy of the legal proceeding.

Samanta, a girl from the streets, lives with Profeto, a Peruvian immigrant who adopted her as his own daughter. One night, Profeto tells Samanta that his wife and daughter have arrived to Chile to live with him. Their presence threatens Samanta’s permanence so she starts to despair and act self-destructively, trying to call Profeto’s attention and not lose her recently found home.

Manuela (14) and Toña (15) are caught in their school bathroom giving each other a hickey. After being suspended for the day, both embark on a journey through desire, guilt, and goodbyes in the city's outskirts.

Chile, 2038. Revival is the technology of fashion. A virtual reality device that allows people to relive moments of their past, as if they were living it again. Émile, a young Haitian who is collecting money to bring his mother from Haiti, discovers that someone from his job in a vineyard is interfering with his memories in his revival. Searching for answers, Émile discovers the disturbing truth that was hidden.

Francisca and Sofía, an open couple, meet Anaís, a young Turkish woman, with whom they establish a beautiful friendship that makes them question their own relationship.

Short film that narrates in an educational way the processes of developing wicker and clay crafts. The film is based on the experience of a character who tells a story to his nephews. Work carried out as part of the documentary series "Andanzas de un Chileno".

Jaime, who’s been away from the city by his own free will, invites his family to watch an eclipse at his house on the mountains. The tensions in the group are apparent, but they slowly vanish, reaching the most transparent moment among the eclipse’s darkness.

Antonia is celebrating her daughter Colomba’s birthday at her sister Angélica’s house when she hears that her father is on his way there. Antonia tries to avoid it, attempting to convince her sister to uninvite him due to a lawsuit against the man, yet Angélica insists on defending him. Between candles, candy, gift bags, and a piñata; Antonia ends up confessing a secret that she’d been keeping for years.

It's June 24 and the people of Lawan, a Mapuche community in southern Chile, are planning a big celebration for Saint John's Eve. Despite this, Cheo a restless and misfit kid, is not happy because this means the return of his father to the community. He is a violent man who, when he drinks too much, vent his anger with his family, unleashing in Cheo strong desires for revenge.

n his struggle to continue living in a city he hates, Anibal, a student of geology, fights the depression caused by the pace of urban life by exercising and escaping to the countryside. The lack of concentration in his studies and his own will, will make him doubt his decision to stay or leave the career at the end of the semester, and with it, Santiago.

Photographer Patricio Guzmán Campos has died in exile. Silvia edited his retrospective book a few years ago and after learning about Patricio's death, she sits down to read again the letters he sent her, in which he reveals the feelings and reflections provoked by facing his photography during the process of making the book, where he sees a place that has been taken away from him, but which he tries to hold on to through his memories.

In a dystopian world, a creature attends a banquet organized by a magical refrigerator. Thus begins his unbridled descent into a spiral of consumption. Corrupted and turned into a beast, he faces a macabre end.

In the middle of a blackout, the night before his father's funeral, Felipe arrives at his mother's house after a nine-year absence. There he waits with his sister, his aunt and the maid, with a dinner made especially for him. Although Felipe only is coming for a short time, his mother and sister will draw him back to the house he once left.

Laura turns 21, but she is no more. Through a secret ritual, Violeta and her cousin Sofia (12) strive to communicate with her after her death. In her passage to adolescence, Violeta enters a world of goodbyes.