GPO Film Unit

Animated shapes dance to Cuban music. This was one of the first animations to be painted directly onto the film.

Rainbow Dance is a 1936 British animated film released by the GPO Film Unit. This is Lye's second film. It uses the Gasparcolor process.

This documentary short examines the special train on which mail is sorted, dropped and collected on the run, and delivered in Scotland on the overnight run from Euston, London to Glasgow.

Trade Tattoo went even further than Rainbow Dance in its manipulation of the Gasparcolor process. The original black and white footage consisted of outtakes from GPO Film Unit documentaries such as Night Mail. Lye transformed this footage in what has been described as the most intricate job of film printing and color grading ever attempted. Animated words and patterns combine with the live-action footage to create images as complex and multi-layered as a Cubist painting. Music was provided by the Cuban Lecuona Band. With its dynamic rhythms, the film seeks (in Lye’s words) to convey “a romanticism about the work of the everyday in all walks of life."

A tribute to the courage and resiliency of Britons during the darkest days of the London Blitz.

Documentary following an Edinburgh fishing trawler, the "Isabella Grieg".

Ambitious documentary chronicling the cultural life and religious customs of the Sinhalese and the effects of advanced industrialism on such customs.

1935 documentary about the hard working life of Welsh coal miners.

Humphrey Jennings' first film as a director, a brief overview of the British postal service.

Animation featuring dancing black and white shadows.

Shows the production of the London telephone directory.

The film, made to advertise domestic telephone sets, is based around two very different families. The Petts are conventional, happy and have children; the Potts are unconventional and unhappy, without children.

Correspondence between young lovers nearly ends in disaster through a mistake in postal district. Fortunately the GPO spots the error and all ends well, but with the moral that correspondents should get the address right.

As the subtitle of the film suggests - The Story of a Post Card from Manchester to Graffham - this journey is very much focused on the process of sorting, transporting and delivering the postcard in question.

Documentary short by Humphrey Jennings. The GPO Film Unit was a subdivision of the UK General Post Office. The unit was established in 1933, taking on responsibilities of the Empire Marketing Board Film Unit. Headed by John Grierson, it was set up to produce sponsored documentary films mainly related to the activities of the GPO.

Short documentary showing the workings of a large London sorting office.

This expository film shows the mood of European society on the eve of the Second World War while promoting the values of international cooperation. Using the Swiss office of the BBC as an example, the film describes the functioning of radio and presents the possibilities opened by mass communications. After the advent of sound film, Cavalcanti promoted experimentation with sound, and in this connection he was interested in the communicational, organizational, and social aspects of radio.

Sponsored by the Ministry of Information and shown as part of cinema programmes throughout the Second World War, this short film takes place halfway through the Battle of Britain and at the beginning of the Blitz, during sustained bombing raids on UK cities.

The building and launch of a new long-wave radio transmitter - just as the TV age is about to be born.

“The rolling hills and wide valleys of the Chilterns are given centre stage in this travelogue aimed at boosting tourism … The Chilterns are a range of rolling hills not far from Greater London; starting at the Thames in Oxfordshire and meandering in a north-easterly direction for nearly 50 miles, before having the good sense to stop short of Luton. This travelogue was produced by the Travel and Industrial Development Association, projecting an image of olde worlde charm to audiences abroad. The fact that this version is silent suggests that it was made for non-theatrical screening.” - BFI Player.