In a little Sicilian village at the edge of a forest, Giuseppe, a boy of 13, vanishes. Luna, his classmate who loves him, refuses to accept his mysterious disappearance. She rebels against the silence and complicity that surround her, and to find him she descends into the dark world which has swallowed him up and which has a lake as its mysterious entrance.
An old shepherd lives his last days in a quiet medieval village perched high on the hills of Calabria, at the southernmost tip of Italy. He herds goats under skies that most villagers have deserted long ago. He is sick, and believes to find his medicine in the dust he collects on the church floor, which he drinks in his water every day.
Women in a failing silk factory, fight to find a way to keep their jobs.
After the Portuguese government demolishes his slum and relocates him to a housing project on the outskirts of Lisbon, 75-year-old Cape Verde immigrant Ventura wanders between his new and old homes, reconnecting with people from his past.
Teo has a good job, a fiancee, a lover, no intention to assume any responsibility in his life. Meeting Emma, a blind woman, will upset his convictions.
A widowed working-class father falls in love with a struggling, poor artist.
For teenage twins Robert and Elena, a weekend can seem endless yet still fly by. Time almost stands still while discussing philosophy, lying in a blissful cornfield near a remote gas station. They are in their own little world, a twin world of twin games and twin love. A confined world where emotions rise, where pressure mounts into rage… The turmoil of adolescence.
Camilla is a successful attorney in her forties who accidentally causes the death of an undocumented migrant. At first, she is only interested in exonerating herself, but soon a feeling of responsibility starts nagging her: the dead body of a young man is lying in the morgue because their destinies fatally crossed. Camilla is used to shielding herself from pain, and she is incapable of really caring, even for her own daughter. In the midst of discovering the victim’s identity, she meets Bruno, the head of the morgue, who seems to be the only one who can truly understand her. The investigation she pursues will take her far from her surroundings until she will be forced to question herself, her unresolved past, and the life she really wants to live.
A man in his forties has had enough. He leaves his loveless family, uninspiring job and fake friends and tries to find something more. He meets a young woman he falls for, but she puts him on the test.
Rachele laughs at the stranger with whom she chats online. And she leads us to discover the only feeling she knows – the poisonous bond which unites her parents. In public they seem tenderly in love, but behind closed doors, it’s all possession, fear, submission and pain. Rachele wants to be different, but can she really be so, when the only form of love she knows is violence?
Forty year-old Bruno Ledeux, seen sitting across from the doctor, gives the impression of a man who is no longer young but not yet old.Condemned to remain nothing more than a son, he begins his downward slide, as if a fog had shut him in a cage from which there is no escape. Bruno can never have children .He says nothing about this diagnosis to Anne, his beloved wife. Nor does he tell her about a large debt he has taken out. It is as if Bruno were a man without any qualities or talents. A mediocre man who has lost all pride. Though now everything appears hazy in his memory. Like a river that flows peacefully, showing no signs of the hidden currents at work below. But at times those currents can return to the surface. Without warning.
Nina and her two friends share trepidations and desires, amid adolescent games and self-discovery. As the girls engage in ever new challenges, Nina immerses herself in her own hesitations.
Struggling with the breakdown of a relationship, Leo moves back to a dilapidated 'city of tomorrow' to live with his belligerent grandfather and his father Rafael, a disillusioned engineer who once worked in Cuba's now-abandoned nuclear program.
A Polish telephone company closes its gates. One last task remains to be done: The deassembly of the public telephones belonging to the company.
A 2018 Italian language drama film directed by Giuseppe Petitto, starring Antonia Liskova.
Shut inside their cars, two women face off in a silent duel that is fought out in the intimate violence of their stares. A wholly female duel punctuated by the refusal to drink, eat and sleep; more obstinate than the sun of Palermo and more stubborn than the ferocity of the men who surround them. For, as in every duel, it is a question of life or death... It’s a Sunday afternoon. The sirocco is blowing pitilessly in Palermo when Rosa and Clara lose their way in the streets of the city and end up in a sort of alley: Via Castellana Bandiera. At the same moment, another car driven by Samira, crammed with members of the Calafiore family, arrives from the opposite direction and enters the same street.
After fourteen years away from her homeland, Salomé is forced to return to Cape Verde to see her dying brother. During her stopover at Lisbon airport, Águeda, a cleaning lady, recognizes Salomé as "Mila", her childhood friend. Águeda invites Salomé to leave the airport and spend the stopover at her home, with the women of her family. The neighborhood transports her on a spiritual journey, whose destination reveals a painful bond with her homeland.
On a remote volcanic island that everybody wants to leave, little Nana learns to stay. Her mother, Nia, went into exile right after she was born and Nana grows up in the family of her father. One day, the family learns that Nia is ill. Nana begins to develop high fevers and is sent to the foot of a volcano for treatment. There she encounters a world steeped in magical realism, between dreams and reality. Later, when Nana is a teenager, her mother Nia finally returns to the island.
Wrapping the audience in waves of sound, Alberi takes us on a circular journey through the Italian countryside. The marvelous natural music at the tops of the eponymous trees makes way for the rhythmic cadence of civilization—men baring axes and the natural clatter of daily life—before their unforgettable return home from the forest. The singular artistry of director Michelangelo Frammartino (Le quatro volte) is beautifully displayed in this mesmerizing homage to nature.
