Fiction FACTory Filmproduktion

A documentary on the 1973 Sam Fuller film Dead Pigeon on Beethoven Street.

Don Siegel’s classic crime thriller "Charley Varrick," made in 1972 in the wake of the immensely successful "Dirty Harry," stars Walter Matthau in what is probably the actor’s finest dramatic role, airshow pilot turned crop duster turned bank robber turned mob target Charley Varrick. This feature-length documentary takes the viewer back to the time of the shooting of this cult item and features original interviews with Siegel’s son, Kristoffer Tabori, actors Andy Robinson and Jacqueline Scott, stunt driver and actor Craig R. Baxley, composer Lalo Schifrin and Howard A. Rodman, whose father co-wrote the screenplay.

This brand new documentary takes a closer look at the production history, unique style, and lasting appeal of Fat City, as well as Leonard Gardner's novel that inspired it. Included in it are new interviews with actors Stacy Keach and Candy Clark, casting director Fred Roos, and camera assistant Gary Vidor.

In retracing the making of FEDORA, Robert Fischer’s documentary SWAN SONG: THE STORY OF BILLY WILDERʼS FEDORA adds yet another layer of comment and reflection on the film’s very own subject matter: 35 years after playing the romantic leads in FEDORA, Marthe Keller and Michael York look back at working with Billy Wilder – and their careers. Additional testimonies come from acclaimed cinematographer Gerry Fisher, producer Harold Nebenzal, Paul Diamond (son of Wilder’s writing partner I.A.L. Diamond), and German actor Mario Adorf.

In June 2015, forty-five years after OUT 1 was made, the filmmakers went to Paris to interview cast and crew members and to revisit some of the film’s most significant locations. THE MYSTERIES OF PARIS features new contributions from actors Bulle Ogier, Michael Lonsdale and Hermine Karagheuz, cinematographer Pierre-William Glenn, assistant director Jean-François Stévenin and producer Stéphane Tchal Gadjieff, but also rare archival interviews with actors Jacques Doniol-Valcroze and Michel Delahaye and, most prominently, illuminating statements by director Jacques Rivette himself from two different archival interviews.

Allison Anders talks about her love for the work of film director Douglas Sirk.

Douglas Sirk talks about his 1937 film 'Zu neuen Ufern'

Joseph Wambaugh wrote his first novel 'The New Centurions' while still active as a member of the Los Angeles Police Department, and his fact-based, painfully realistic book became a nation-wide bestseller when it came out in 1971. Replacing heroic cops with struggling, psychologically damaged characters, Wambaugh changed crime literature forever. Richard Fleischer’s filming of Wambaugh’s novel, also called THE NEW CENTURIONS, followed a year later and, in turn, revolutionized crime movies. Featuring newly filmed interviews with writer Joseph Wambaugh, star Stacy Keach, technical advisor Richard E. Kalk (Wambaugh’s real-life LAPD partner) and assistant cameraman Ronald Vidor, COP STORIES: THE MAKING OF RICHARD FLEISCHER’S THE NEW CENTURIONS chronicles the production of that landmark film in all its stages from script to screen.

Allen Baron, director of "Blast of Silence" visits locations from the film and recalls the production.

THE MAKING OF HIGHLANDER is a four-part documentary which covers virtualy every aspect of the behind-the-scenes adventure of filming Russell Mulcahy’s 1986 cult classic.

Kathryn Bigelow talks about the work of film director Douglas Sirk.

In this feature-length interview, conducted by Robert Fischer in February 2015, Volker Schlöndorff talks about the making of his film BAAL (1969), based on the first play ever written by Bertolt Brecht. He describes his working relationship with Rainer Werner Fassbinder and his group of actors and how the Brecht family hated the film when it first came out, resulting in BAAL’s inavailability for over 40 years.

The story behind the novel and the film Johnny Got His Gun by Dalton Trumbo.

This absolutely top-notch documentary by Robert Fischer is a fascinating look back at not just the film in question, but Fassbinder's meteoric career which ended all too soon with his untimely death. Archival footage of Fassbinder is utilized (including several fascinating snippets culled from interviews he did at the disastrous Cannes premiere of Despair), as well as many others involved in the film and its release. Even if you're not a particular fan of Despair, or even in fact of Fassbinder, this is stellar documentary film making and is an intriguing look at one of the most enigmatic masters of the New German Cinema.

Short doc in which Anthony Slide (Andre De Toth on Andre De Toth) discusses the work of Andre De Toth in general and The Indian Fighter in particular.

Though he never actually worked in Hollywood, Rainer Werner Fassbinder, who died in 1982 at the age of 36, was influenced greatly by Amercian studio films of the 1950s and the convention of melodrama (the link most often mentioned is Douglas Sirk).

For over half a century, the filmmaker Edgar Reitz, one of the signatories of the Oberhausen Manifesto and a pioneer of epic film narration, has explored, as a practitioner and theoretician, the rules and limits of cinema, which he always seeks to break and extend in new ways. One example of his tireless search and research are the Geschichten vom Kübelkind, which he co-directed with Ula Stöckl in 1969/70, 22 absurdly funny, subversive and anarchistic short films of different lengths, which consciously oppose all conventions, with incredible success. The films remain unrivalled in their Dadaistic inventiveness.

Film scholar Janet Bergstrom discusses Sternberg's 1930 film starring Marlene Dietrich.

An interview with cinematographer Richard H. Kline talking about his filming experience in Brian De Palma's film The Fury.