Rosa la Rose is the most beautiful prostitute of Les Halles. Every client wants her and she accepts everything. Her pimp is a sympathetic and generous man and there is not much to tell about Rosa’s life. Until one day she meets Julien, a young guy, and falls in love with him. But will it be worthy to leave her life for a madness love?
The child Ernesto doesn't want to go to school any more because, as he says, all he is taught there is things he doesn't know.
Louis is a family man, with a wife and young daughter, who discovers in mid-life that he is gay.
A reluctant boxer is the focus of this unique French romance. Maurice dreams of becoming a violinist. But his father, a former boxing champion crippled by his bouts, has other dreams for his pudgy but strong 18 year old son. He wants Maurice to become the next Champ. Concerned about his son's lack of machismo, the father arranges a tryst between Maurice and Nora, an aging femme fatale. Unfortunately Nora's jealous husband suddenly interrupts their romantic interlude. Maurice accidently kills the husband in the ensuing scuffle. United by the tragedy, Nora and Maurice eventually fall in love. Maurice is then inspired to become a great fighter.
A night of drinking in a local cafe quickly turns to tragedy for two of its patrons.
Pierrot, mechanic in Paris, falls madly for a female chemist his senior—who at first refuses him, only accepting love after being diagnosed with a deadly illness.
In a supermarket parking lot, two shoppers push a shopping cart to their car. A helpful man approaches them. Friendly at first, his behavior soon becomes strange, invasive and aggressive.
Ginette is at phone with the famous Rachah Rangers, who hosts a daily radio program. She talks about her break with Richard, her various relationship problems, her desires, fears and reproaches. Her friend, Simone Barbes, advised her to live, urgently, a new relationship ...
A landmark work of symbolistic imagery. The words that the filmmakers speak offscreen are imaginary conversation with Cézanne quoted from a critique by Joachim Gasquet. An exchange of memories spanning over 250 years interweaves everything from the philosophy of Empedocles to excerpts from the film Madame Bovary, to extant paintings by Cézanne, to the buildings of the artists’ village at Mont Sainte-Victoire. —ntticc.or.jp
Christian, an art critic, must write a study on the painter René Dimanche in order to understand why he did not produce anything for eight years. He asks his friend Ingrid to help him break through this mystery.
Simone and Martine are usherettes in a porno cinema in Montparnasse. Installed in the hall, they greet regulars, put men in their place, chat and pass the time. At midnight Simone departs to a lesbian nightclub.
A woman returns after twenty years to Toulon where her husband, who collaborated with the nazis, was murdered. Her motives are unclear.
The tribulations of a bisexual who's a bit of an exhibitionist.
Nine short films about love.
Camille, a young, provincial, proletarian man works for Hélène Courtray, who is still beautiful and seductive. She's a sophisticated, cultivated and well-to-do woman who has engaged him to care for her reclusive son who has spent the past few years voluntarily locked up in his room. An encounter between two persons and two worlds where the relationship of the young man to this closed, strange and unknown universe rapidly turns tragedy.
The fortunes of a small theatrical company based in the Paris suburbs.
Pierre Lentier murders an 8-year-old in horrendous circumstances. This 30-something solitary factory worker who lives on the edge of society is sentenced to death. A damning indictment of the death penalty and the manipulative behaviour of the media.
On Paul's initiative, Françoise and Paul met after a long separation, on the pretext to search in commun for a lost memory, a song. It soons appears that Paul's objective is to win her back.
Semi-documentary exposé of scandalous hunting practices in the Sologne, a wooded area south of Orléans where he shared a house at the time. The film, part tribute to Jean Renoir's The Rules of the Game (1939) and its celebrated hunting scene, is notable for its cinematography by Polish director Walerian Borowczyk.
