Ključna beseda Mother

Evelyn Wang je zaskrbljena lastnica propadajoče pralnice. Zdravje njenega očeta je v slabem stanju, mož Waymond ji vroči ločitvene dokumente, hčerka Joy je zelo razočarana z življenjem. Na koncu se pojavi še neusmiljena delavka davčne uprave Deirdre. Potem, ko Evelyn poskuša še zadnjič rešiti svoj posel, Waymondovo telo nenadoma obsede dvojnik iz ene od skoraj neskončnih alternativnih resničnosti. Pove ji, da je edina oseba, ki lahko reši multiverzum pred grožnjo, ki uničuje resničnost. Evelyn pa mora še vedno plačati davke.

Predsednik imenuje konzervativnega sodnika, da bi vodil boj proti mamilom v ZDA, ko ta odkrije, da je tudi njegova najstniška hči postala zasvojenka. Agenta ščitita svojega vohuna, žena obsojenega preprodajalca pa skrbi za družinski posel.

Hiša Xaos je stara gotska vila visoko v dublinskih gorah. Teden dni po tem, ko se vanjo vseli družina Woods, v hiši zmanjka elektrike in njihova hči Ellie izgine. Nenavadno je, da je v tistem trenutku govorila po telefonu s svojo mamo Keiro in odštevala 10 korakov v klet, da bi našla varovalke. Ellie je nasprotovala selitvi, Keirin soprog Brian pa je prepričan, da je pobegnila in da se bo kmalu vrnila. Keiro grize slaba vest in si želi za vsako ceno najti hčer. Začnejo se težave s soprogom in sinom Stevenom, ki si silno želi materine pozornosti.

Eine wie keine is a German television series.

Alicia Florrick boldly assumes full responsibility for her family and re-enters the workforce after her husband's very public sex and political corruption scandal lands him in jail.

On the Buses is a British comedy series created by Ronald Wolfe and Ronald Chesney, broadcast in the United Kingdom from 1969 to 1973. The writers' previous successes with The Rag Trade and Meet the Wife were for the BBC, but the corporation rejected On the Buses, not seeing much comedy potential in a bus depot as a setting. The comedy partnership turned to a friend, Frank Muir, Head of Entertainment at London Weekend Television, who loved the idea; the show was accepted and despite a poor critical reception became a hit with viewers.

Mrs. Brown's Boys is a British-Irish award winning sitcom created by and starring writer and performer Brendan O'Carroll. The show is based on O'Carroll's stage plays about the character Agnes Browne, which were developed from books and straight-to-DVD films. The sitcom continues the stories of Agnes, now with the shortened surname "Brown", and her family who are played by real life close friends and family of O'Carroll's. After being slated by critics, the show has become a ratings success in both Ireland, where it is set, and the United Kingdom, where it is recorded. On 29 December 2012 the show began its third series. Mrs Brown's Boys is a co-production among BBC Scotland, BocPix and RTÉ.

After realizing their babies were exchanged at birth, two women develop a plan to adjust to their new lives: creating a single —and peculiar— family.

That's My Boy is a British sitcom that aired on ITV from 1981 to 1986. Starring Mollie Sugden, it was written by Pam Valentine and Michael Ashton, who later wrote My Husband and I, which also starred Mollie Sugden. It was produced by Yorkshire Television for the ITV network.

Stand-Up Specials by Kathy Griffin

The tale of three mothers of first graders whose apparently perfect lives unravel to the point of murder.

I Didn't Know You Cared is a British comedy series set in a working class household in South Yorkshire in the 1970s, written by Peter Tinniswood loosely based upon his books A Touch Of Daniel, I Didn't Know You Cared and Except You're A Bird. It was broadcast by the BBC in four series from 1975 to 1979. The main characters are Carter Brandon; his Uncle Mort; his mother, Annie; his father, Les; his girlfriend, Pat Partington; and Uncle Staveley. Auntie Lil appears in the first two series. Other recurring characters, mostly from Carter's workplace, are Linda Preston; Mrs Partington; Sid Skelhorn

Five moms in a competitive grade school community keep their enemies close, and one another closer, as envy and secrets tangle and unravel their lives.

A young actress gathers three former school friends to find out which one is her natural mother, who gave her up for adoption as a newborn.

...And Mother Makes Three is a British sitcom shown on ITV from 1971 to 1973. Starring Wendy Craig, it was written by Peter Buchanan, Peter Robinson, Richard Waring and Carla Lane. ...And Mother Makes Three was made for the ITV network by Thames Television.

Story of a mother and three daughters living in modern day Korean society. The drama conveys a message about the low fertility rate, divorce rate, and the problems of the younger generation who are avoiding marriage.

Terry is a youngish bachelor who lives with his mother (Vi Stevens). He's a bit of a dreamer who wants to get rich as quickly and as easily as possible. Terry comes up with one grand "get rich quick" scheme after another, causing endless problems for himself and his friend, Hugh.

Four women juggle love, careers, and parenthood. They support, challenge, and try not to judge each other as life throws them curveballs. Whether it is an identity crisis, a huge job opportunity, postpartum depression, or an unplanned pregnancy – they face both the good and bad with grace and humour.

...And Mother Makes Five is a British sitcom that aired on ITV from 1974 to 1976. Starring Wendy Craig, it is the sequel of ...And Mother Makes Three and aired for four series. ...And Mother Makes Five was written by Richard Waring, Brian Cooke and Johnnie Mortimer. Wendy Craig also wrote some episodes under the pseudonym Jonathan Marr. It was made for the ITV network by Thames Television.

A woman pieces together her mother's dark past after a violent attack in their small town brings hidden threats and deadly secrets to light.

A story of a woman born in 60s grew up in a Chinese herbal medicine store in southern Taiwan. Love, marriage, and seniority in human relationships around her collide together, leading to a different aspect of life.

Edith's dreams of retirement to the sun with her long-term suitor Phil are shattered when her 50-year-old son Roger arrives home, seeking to recapture his boyhood happiness.

The lives and, often illegal, activities of the residents of a tower block in early 1970s Leeds, West Yorkshire, with the brassy matriarch, Queenie Shepherd, ruling the roost over her neighbours.