Carmen is a gypsy teenager, destined to live a life that is repeated every generation: getting married and raising as many children as possible. But one day she meets Lola, an uncommon gypsy who dreams about going to university, does graffiti and is very different. Carmen quickly develops a complicity with Lola and discovers a world that, inevitably, leads them to be rejected by their families.
Marina finds herself on the previous days of her last piano concert that will change her life forever, continuing her studies in Germany, far away from her actual life. However, what nobody sees, blinded by the scholarship, is that the preassure is killing her and that it will drive her where to what a 17-year-old shouldn’t go.
When 10-year-old Nemo's mother suddenly dies, the boy is forced to go live with his maternal uncle's family. They are cordial and treat him well, but his 12-year-old cousin, Iván, begins to tease and tell him stories about the Bogeyman and how he'll come and get him if he doesn't behave. At first young Nemo doesn't believe the stories, insisting that Iván is just making things up...
Young Eva makes her decision to stay in Madrid for the month of August an act of faith. She needs to feel things differently and think of summer as a time of opportunity. On days of festivities and verbenas, while events and encounters take place, Eva will discover that she still has time, that an opportunity can still be given.
On the periphery, the city's waste accumulates to form illegal dumps. In these, a new kind of life has emerged. It hides from the lights of humans, but the city reclaims what is its own. It advances and changes everything in its path. In its flight, the shadows remain in time. The thresholds persist. Gentrification, the death of one city and the rebirth of another.
Two brothers with opposite personalities will have to live with a fearsome gangrenous disease which spreads through the village where they have lived since their childhood. Everything changes when one of them begins to think that, perhaps, fleeing from the village is an effective way rather than his own survival.
Musa goes to the Registry Office to verify his identity, but discovers that there is no trace of him in the system: he does not exist. This raises suspicions among the officials and they convince Musa to plunge into a Kafkaesque process where he will have to go to a judge.
It's a journey in a dead place, the need of finding a home. Get trough the grief to understand it.
Madrid, 1980. When Sole sees Nano come in, bloody and beaten, she already knows what to do. In an improvised infirmary, she tries to mend his son’s wounds. But Nano is getting old, and his body doesn’t heal like it used to. At his mother’s pleas, Nano offers a deal: he will retire from boxing if she, for the first time, watches one of his fights.
The world evolves thanks to ambitious people who have a goal. That is the reason, Toni thinks, why human beings were born, and anyone with a conformist attitude does not deserve to live.
Eusebio José Fernández López Reboredo Bergamín is a teenager in the 1960s whose dream is to be a movie director, but General Francisco Franco prohibited in 1964 all types of art. A coincidental encounter with another artist, named Antonio Mínguez, will change his life.
When time seems suspended, young people meet in the forest
A conversation about the work of Spanish filmmaker Luis García Berlanga (1921-2010) and his perdurance in contemporary Spanish cinema.
Marc long ago decided to confront the trauma that has haunted him for years, but the past is starting to creep back in.
A group of elders travel back in time to reflect on their love life in a dialogue with today's generation.
