Independent Film Producers (IFP)

An investigation of how Hollywood's fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves.

Bertrand, an accountant employed by a large London firm, is called to the office of the Managing Director, Dreuther, to explain a mistake in the accounts. Dreuther is highly impressed by the young accountant's skilful explanation of the error and, hearing that Bertrand is soon to marry his spirited young fiancée, tells him to spend the honeymoon not in Bournemouth, but Monte Carlo at the company s expense! However, events in the fabulous Mediterranean paradise do not work out quite as Bertrand had envisaged...

When Jennifer Laude, a Filipina trans woman, is brutally murdered by a U.S. Marine, three women intimately invested in the case--an activist attorney, a transgender journalist and Jennifer's mother)--galvanize a political uprising, pursuing justice and taking on hardened histories of US imperialism.

THE PEARL is a cinematic and intimate portrait of four transgender women who come out in their senior years. Set in logging towns in the Pacific Northwest, the visceral, observational story explores what it means to leave behind presenting as a man.

A dogged family-run paper in Iowa gives citizens the scoop on forces threatening to overwhelm their precarious small-town existence.

A talented group of orphaned children in Swaziland create a fictional heroine and send her on a dangerous quest.

Eight-year-old Roger Court is in Venice expecting to reunite with his father, British diplomat Major Court (Trevor Howard), whom he hasn't seen in three years. Roger lives with his Aunt Rose since his mother abandoned him.

Donte Clark's poetic voice was honed on the violent street corners of a struggling city. Yet rather than succumb to the pressures of Richmond, CA, Clark uses his artistic perspective to help save his city from itself.

A German-born woman works as a spy for the French in Switzerland during the First World War, and has to marry an interned French lieutenant in order to be able to stay in the country.

Following the rise and fall of the new American oil boom, My Country No More paints an intimate portrait of a rural community in crisis, forced to confront the meaning of progress as they fight for a disappearing way of life.

Raising Bertie is a longitudinal documentary feature following three young African American boys over the course of six years as they grow into adulthood in Bertie County, a rural African American-led community in Eastern North Carolina. Through the intimate portrayal of these boys, this powerful vérité film offers a rare in-depth look at the issues facing America's rural youth and the complex relationships between generational poverty, educational equity, and race. The evocative result is an experience that encourages us to recognize the value and complexity in lives all too often ignored.

On March 11, 1959, Lorraine Hansberry’s 'A Raisin in the Sun' opened on Broadway and changed the face of American theater forever. As the first-ever black woman to author a play performed on Broadway, she did not shy away from richly drawn characters and unprecedented subject matter. The play attracted record crowds and earned the coveted top prize from the New York Drama Critics’ Circle. While the play is seen as a groundbreaking work of art, the timely story of Hansberry’s life is far less known.

Mentally ill. Deviant. Diseased. And in need of a cure. These were among the terms psychiatrists used to describe gay women and men in the 1950s, 1960s, and early 1970s. And as long as they were “sick”, progress toward equality was impossible. This documentary chronicles the battle waged by a small group of activists who declared war against a formidable institution – and won a crucial victory in the modern movement for LGBTQIA+ equality.

Patricia (Phyllis Calvert) throws away a painting members of her Italian village consider to be extremely lucky. She goes to great lengths in her attempts to locate it again and bring it back.

Journalist Assia Boundaoui sets out to investigate long-brewing rumors that her quiet, predominantly Arab-American neighborhood was being monitored by the FBI.

Trixie and Monkey will stop at nothing to take their innovative circus-burlesque act to new creative heights. In pursuit of their dream, they relocate from Baltimore to New England to study acrobatics and trapeze. On the weekends they travel relentlessly to test-drive their act on stages as varied as Baltimore rock clubs, Vegas casinos, New York City theaters and beyond. Financial uncertainty, physical exhaustion and romantic tension are always looming; leaving them to wonder will they make it as artists, what success even means and will their love survive?

Iranian musician Shahin Najafi flees his homeland and heads to Cologne, Germany after harsh criticism by several clerics over the release of his song speaking out against human rights abuses resulted in a fatwa being issued.

The Genius of Marian follows Pam White in the early stages of Alzheimer's disease. Her son, the film maker, works with her as she attempts to write a book that tributes her mother, the artist Marian Steele.

Calling the Tune offers a fascinating look at the fledgeling gramophone industry as it tries to solve the problems of reliable recording and production methods. 'I predict that the gramophone will be the democratic entertainment of the future' states unscrupulous record label boss Mr Gordon (Sam Livesey), who finally gets his comeuppance after one dirty trick too far against his rivals. If the film's love story is perfunctory, the real interest comes with watching performers of the day, from Henry Wood and his orchestra to George Robey and Charles 'the laughing policeman' Penrose laying down their recordings direct to record. And something very like a prototype laser disc makes a crucial appearance too.

Set against the backdrop of the physician shortage and opioid epidemic in rural America, The Providers follows three healthcare providers in northern New Mexico. They work at El Centro, a group of safety-net clinics that offer care to all who walk through the doors, regardless of ability to pay. Amidst personal struggles that reflect those of their patients, the journeys of the providers unfold as they work to reach rural Americans who would otherwise be left out of the healthcare system. With intimate access, the documentary shows the transformative power of providers’ relationships with marginalized patients.