Maïa Cinéma

In this contemporary adaptation of Pierre Corneille’s brilliant, eponymous 17th century play, the enigmatic Alcandre is now a hotel concierge who uses the myriad in-house high-tech security cameras to show worried father Pridamant the whereabouts and travails of his son, Clindor. As Pridamant witnesses the conflicting romances involving his estranged son, Corneille’s modernist meta-narrative is transposed to contemporary Paris, underscoring the ambiguous nature of love, wealth and desire in an age of consumerism. (Chicago International Film Festival)

The Forest is both a vibrantly spontaneous and brutally funny family drama, and a glorious tribute to acting and theater - in other words, an Arnaud Desplechin film. With Michel Vuillermoz and Denis Podalydès as the nephew and his friend, Adeline D’Hermy as the niece, and Martine Chevallier in a stunning performance as the sublimely selfish aunt Raissa.

Woman hero Dom Juan lives a life full of excesses and love affairs. When he seduces the nun Elvire, but shows no interest in her a short time later, he gets to deal with her vengeful brothers. Dom Juan and his assistant Sganarelle have to flee and set out on a journey full of strange encounters.

Silvia’s father grants her permission to meet Dorante, the man she’s promised to in marriage, by pretending to be her servant Lisette, who in turn will play the role of her mistress.

The first film by Nadège Trébal. English synopsis unavailable.

Dhalinyaro tells the story of three 18-year-old high school girls, coming from different social classes, rooted in their culture but also turned to the outside thanks to the new technologies.

Men come from around the world to unearth treasure from amongst the wreckage in a car scrap yard. Through this open air ocean of metal and motors, the world is assembled and disassembled with each encounter...