Lost in thought in the midsummer heat, Georg suddenly has only one goal. To make his huge, overgrown garden beautiful again at the weekend. But as he spends his days alone in the house he once shared with his ex-wife Sieglinde, who comes to visit at the end of the weekend, he has to deal not only with the garden, but also with absurd visits, memories, nosy neighbours and himself.
Mathias is transgender. Although he is more than sure about his decision to live as a man, he still has to find his way in his new identity and especially in his new job. And also his relationship with his girlfriend seems to have changed due to the transition.
Alex works as a project manager for an automobile parts supplier and is sick of it. It's obvious just looking at him. When the next project is announced already at the final meeting for the last one, he leaves without a word and decides to change his life. He meets Anna, a film student, and lapses into the idea that she should shoot a documentary about his life. Maybe it will be easier for him to start a new life after first passing review over the old one?
A look at sign language and the deaf persons who use it to communicate
On the 3rd of October a twenty-four-year-old student from Vienna kills his lover and chops up her corpse. Her torso is found in a dumpster, other body parts and the head are missing. There is no clue about the motive of the murder. A silent chronology of the events.
A complicated marriage: She has a tumor, he is gay, both of them are keeping it a secret. When their only daughter moves out, he is ready to come out. But that is not going to happen. He arranges a date for a bizarre role-play and she is spying on him, firmly believing that he is having an affair with a younger woman. The chase is on.
Carla runs messages throughout a city periphery. She drives, eats, and sleeps in the car.
Short film about a woman and a little girl.
Young people on the telephone.
The "Mutoid Waste Company" is a group of English travellers who have created an alternative lifestyle for themselves as modern nomads. This film portrays their performance in Vienna.
A young couple in love spontaneously get involved in an underground play in a dark cellar that is billed as "particularly bad". As expected, the play begins "artistically valuable" - the audience is rather bored, some filming along with amusement. However, the mood changes abruptly when Manfred Amour, the play's car, enters the cellar.
The mentally unstable switchman Kramer, a devoted servant of the fatherland, is waiting for a train.
Whoever wants to die goes to the Grimmelstein. But Naomi is the only one there all by herself - she is desperately looking for her boyfriend Max. Her calls go unanswered, her screams are swallowed up by the fog, Max is nowhere to be found. Didn't they want to do it together? Naomi slowly begins to doubt whether love is really stronger than death.
Irina, a single-mother, must move in with her sugary sweet mother-in-law, Trudi. In spite of feeling suffocated by Trudi’s relentless generosity and greasy home-cooked meals, Irina always tries to maintain a grateful facade. Yet she’s plagued by a creeping sense of unease and is even terrorized by spine-chilling visions when she’s alone. How long can she grit her teeth and swallow everything while denying the rage that is growing in her gut?
A gigantic catastrophe has happened and is interrupted for two or three days. Three strangers find themselves stranded on an empty island, between desperation and a hopeless situation. What to do with the remaining time? But on the second day the sea delivers a silent man. The three survivors fall in love with the assumed saviour and forget about the catastrophe.
When her boyfriend Benni leaves her, Magda is left to live alone in their old apartment. With his departure, his hobby of driving a motorcycle also vanishes from her life. Still clinging to what they once had, Magda enrolls in a motorcycle driving course, but the first few driving hours turn out to be more difficult than expected. When Magda realizes that Benni has already moved on from their relationship, she has to make a decision: Will she throw in the towel or learn to drive on her own?
Poetic images of nature in the opening credits lead us on the wrong track. The motorcyclist has been lying under his machine for a long time. At the moment of death, memories emerge. Flashbacks to family history, speechlessness in the face of death in harsh cuts.
The siblings Vroni and Flori observe the goings-on at their parents’ flower stall. Vroni claims to know the future. Aleksey Lapin believes her and shows a microcosm through which the marginalized stroll, while a wind that will change everything brews in the air. A playful ode to the feeling that nothing has to be as it is.
Ingbert, the sock, applies for a position as a double bass player at the Vienna State Orchestra. Bad idea.
A door opens, a cone of light falls into the room, then darkness again. As the door opens a second time, this time from the inside, two people slip out who had apparently retreated into the room - for a moment of undisturbed intimacy?
