Hunnia Filmstúdió

In a village on the Hungarian border, two young brothers grow up during war time with their cruel grandmother and must learn every trick of evil to survive in the absurd world of adults.

When middle-aged Kata realises that her life will only be complete if she has a baby of her own, her longstanding-but-married boyfriend Joska refuses to comply. But by developing an unlikely friendship with the angst-ridden teenage orphan Anna, who is also involved in a controversial relationship, Kata discovers aspects of herself, and her role as a woman, that have gone unexamined throughout her entire, lonely life.

Swedish account of Raoul Wallenberg, the man responsible for the largest rescue of Jews during World War II.

A Hungarian band plays American rock & roll and blues hits with great enthusiasm and passion, but success seems to avoid them. TV and radio don't play their songs, sometimes even their crowd just sits and sips beer. Something must be done, and the band's leader (Lóránt Schuster) comes up with the big idea: write and play songs for the people about themselves and not about some exotic, but too distant people's life. "We move from Tobacco Road to Retek street." With the remains of the band and a second singer (Gyula Deák "Bill") they find what they failed to show people before. The rich new sound can finally translate the spirit of blues and rock much more than words from any dictionaries could, this is the Kőbánya blues.

To celebrate Hitler's birthday, a soccer match is organised between the Germans and a group of Hungarian political prisoners, one of whom is a famous pre-war football star.

Dismissed from the railroads in 1863 for his union activities, Etienne Lantier found a job at the Voreux coal mine. But work was hard, wages were low and safety left much to be desired. Lantier tried to organize the miners into a union. When mine manager Hennebeau refused to negotiate, the workers launched a general strike, which ended with the intervention of the troops.

Juli works in a factory while pursuing a course in agrarian science. Her manager falls in love with her and an affair develops. She wants a sincere relationship, but still hides the fact that she has a child born out of wedlock. When her secret is revealed, he is not prepared to acknowledge her son.

Tivadar Csontváry Kosztka the one-ideaed Hungarian painter was thought to be crazy by his peers, but he eventually became a significant artist.

Among the Gruber family, the rumor spreads like wildfire that their wealthy American relative, Menyhért Gruber, is visiting Hungary with his daughter, Mary. Various plans are devised to exploit the rich relative. The boldest of them all is the plan of Bálint Koltay, who directly pursues Mary's hand. However, the young ones fall in love with each other so deeply that Bálint stands by Mary even when the "wealthy" Gruber informs him that he's bankrupt. At this point, the only thing left to arrange is for Bálint, who poses as a landowner, to actually present a noble castle to his future father-in-law.

Story of the owners (Mastroianni and Schygulla) of a fancy nightclub in Budapest before and during WWII.

Set in military barracks in a small town during World War I. The soldiers herded in the barracks are 'politically suspect' mix of characters from all over of the Austro-Hungarian Empire: Czechs, Jews, and even Italians, but officers in charge are Germans. A new lieutenant arrives with the mission to bring order to the unit. He is the sadist, enjoying humiliating the men. Fed up with his behaviour the lower ranks kidnap him one night and string him up in a public toilet. They also make sure that he fouls up during the inspection. Eventually the five ring leaders are imprisoned. They escape and end up in Budapest posing as guards as guards of veterinary surgeons. They are caught and sent back to face a court martial and their old tormentor.

A group of students cope with the disappearance of their friend.

Stevenson, the famous English criminal expert visits Hungary with his family. While he is chairing a conference on criminology, infamous art treasure robbers steal the golden herm of Saint László. Suspicion is cast on the Stevenson children.

Eckermann (Laszlo Kistamas) is a listless computer whiz who spends most of his time lounging in a bathtub holding imaginary conversations with cartoon characters usually more popular with children than grownups. He has some friends who want to use his skills to steal some money from a local gambling joint. He works out a scheme for his friends and returns to his tub. At some point along the way, he is joined in the water by a lovely Czech refugee, who (perhaps inadvertently) makes it possible for him to die there.

A comedy about a lost inheritance, love and a red umbrella, which, according to a local legend, belonged to St. Peter himself.

Kölyök, this lovely, ham-handed young woman, has caused many a trouble already in the Dunaújváros Iron Works. Fortunately, however, the manager does not want to give her up, what is more, Kölyök found a second father even at the police.

A man, a woman, a doll.

The story of 10-year-old boy and his family against the backdrop of the bloody events of 1956, in Budapest. Children do not yet understand what is going on, but they're happy because the schools are closed. But gradually, to adults and children comes the understanding that something terrible is happening. Disappearing relatives, friends, and even killed some. Tips sent an army to put down the counterrevolutionary rebellion.

When the actress he loves seems to be infatuated with a frivolous count, an actor disguises himself as the count's real interest, a wealthy Spanish woman whom the count has never seen before but wants to hoodwink into marrying him.

On his return from America, András simply cannot find his place: he has lost his wife, friends and job, and he cannot even find his way back to his former great love. Eventually, as a surrogate father, he takes in a wild young girl (Zsuzsa Czinkóczi) and a particularly strong bond is formed between these two rootless people. Márta Mészáros’s remarkable movie starring Jan Nowicki and Anna Karina is about displacement, loneliness and attachment.