Ministry of Information

A young, Scottish RAF gunner is debriefed by French officials about his escape from Nazi-occupied territory. They are particularly interested in one person who may or may not have been a German agent.

A former leader of the French Resistance finds that one of his fellow actors looks like a detestable official he knew in Madagascar during the war. He tells about his time, operating an illegal radio station while evading the Nazis.

A documentary account of the allied invasion of Europe during World War II compiled from the footage shot by nearly 1400 cameramen. It opens as the assembled allied forces plan and train for the D-Day invasion at bases in Great Britain and covers all the major events of the war in Europe from the Normandy landings to the fall of Berlin.

Government information film on how to get maximum wear from a man's suit, narrated by one such suit in the form of an autobiography.

A tribute to the courage and resiliency of Britons during the darkest days of the London Blitz.

On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).

Members of three Commonwealth armies, an Aussie, a Canadian, and a New Zealander meet actor Leslie Howard who buys them a beer and makes them understand why they're fighting.

The true story of the massacre of a small Czech village by the Nazis is retold as if it happened in Wales.

World War II propaganda film.

This film explains how sneezing in public can spread disease, and shows how using a handkerchief can stop it.

Sheffield stands in as 'Smokedale', an industrial Everytown, in this stirring call for "new schools, new hospitals, new roads, new life", after WWII.

Two evacuee children living in the United States receive a letter from their mother, Mrs Taylor, telling them of her life in Blitz-era London. Glimpses of the events of Mrs Taylor's typical day, including ration shopping and fire warden training, belie the letter's innocuous statements.

A brief documentary about the history of the Royal Mail.

Is your hedge thin and straggly? Don't worry, help is at hand.

Coventry prepares to rise from the ashes of WWII in this docu-drama written by Dylan Thomas.

From a series of propaganda films made to raise awareness of the risks of idle gossip providing vital information to enemy spies and collaborators. This Ealing Studios production features well-known 1940s actor John Mills, playing a sailor whose girlfriend thoughtlessly blunders away vital wartime secrets. The consequences prove disastrous when his boat next leaves to cross the English Channel.

About the war effort in the West Indies.

Commissioned by the Ministry of Information and specifically target working class audiences; ‘Now you’re talking’ follows a plant worker, who lets slip vital information about some overnight research on a captured enemy aircraft. This inevitably leads to this most important of secrets falling into the lap of the enemy.

Made in 1940 and sponsored by the Ministry of Information this film shows the food contributions supplied to Britain by various colonies and dominions. 'Food from the Empire highlights the severity of the food issue, by discussing food production as a battle (...) and offers insights into British attitudes towards its colonies and dominions. The commentary notes that the ‘free people’ of these countries are ‘anxious to send every ounce they can to the United Kingdom for they know that upon the ability of Great Britain to hold out depends their own freedom’. Britain is depicted as a dominant power, fighting to protect those within the Empire, while the colonies are loyal and ‘anxious’ to help.' - Tom Rice, on the film from colonialfilm.org.

A 1941 Ministry of Information propaganda film set to the tune of The Lambeth Walk, a popular song from the musical Me and My Girl.