Barwood Films

A troubled Southern man talks to his suicidal sister's psychiatrist about their family history and falls in love with her (and New York City) in the process.

In a time when girls were forbidden to study religious scriptures, a Jewish girl masquerades as a boy to enter religious training and unexpectedly finds love along the way.

Drunken, has-been rock star John Norman Howard falls in love with unknown singer Esther Hoffman after seeing her perform at a club. He lets her sing a few songs at one of his shows and she becomes the talk of the music industry. Esther's star begins to rise, while John's continues to fall. She tries desperately to get John to sober up and focus on his music, but it may be too late to save him.

A high-class call girl accused of murder fights for the right to stand trial rather than be declared mentally incompetent.

Janine and Sandy are a lesbian couple who decide to have a baby, but after a few years Sandy dies. This tragedy is exploited by Sandy's parents to snatch the girl from Janine's care. But then, and despite having the laws against her, Janine decides to fight in order to regain custody of her daughter.

A bankrupt entrepreneur attempts to recoup some of her losses by getting a washed-out boxer she picked up as a tax loss back into the ring — an idea her protégé isn't fond of.

Vinnie's a bookie, happily married, running his operation for 30 years out of his bar in Brooklyn. Times change, the boys up the chain want a bigger profit, so Vinnie's expendable He's assigned a hotheaded kid, Tony, the nephew of a local mobster. Vinnie's told to school the lad, use him for collections, and teach him some sense. What Vinnie doesn't know is that once Tony learns the ropes, Vinnie will be out. Tensions mount when Tony goes around Vinnie's paternalistic ways, takes a bet from an unemployed alcoholic, and demands that the loser's wife pay the vig in trade. Is there any way out for Vinnie - with or without his good name?

After serving in the military for more than twenty years, including a tour of duty in Vietnam, Colonel Margarethe Cammermeyer (Glenn Close) had seen her share of battles. But nothing could prepare her for the fight ahead: an intensely personal struggle against the U.S. Army when she becomes the highest ranking officer ever to be discharged for being a lesbian. With the support of her partner Diane (Judy Davis), Cammermeyer undertakes an against-all-odds battle against the Army's policy. But to do so, she must risk everything – her career, her privacy and even the love of her family.

Bored with day-to-day life in New York City and neglected by her husband, a young wife and mother slips into increasingly outrageous fantasies: her mother breaking into the apartment, an explorer's demonstration of tribal fertility music at a party causing strange transformations, and joining terrorists to plant explosives in the Statue of Liberty.

On December 7, 1993, a gunman opened fire in a crowded commuter train on Long Island. This fact-based story focuses on the events that swell around Carolyn McCarthy, a woman whose husband is killed and her 26 year old son is severely wounded in the massacre. The result is she is forced out of her comfortable suburban existence and she becomes an out-spoken crusader against assault weapons. The film shifts from her perspective to the mind of the killer and finally to the media frenzy that surrounds both.

Varian Fry rescues more than 2,000 artists from Nazi persecution during World War II.

First in a series of anthology films dealing with Christians who put their lives on the line to help rescue Jews from the Holocaust. In the first of two short films, "Mamusha," as the Nazis invade her country, a Polish Catholic housekeeper takes under her wing the youngster in the Jewish family for whom she is employed, and shepherds him through WWII in hopes of ultimately getting him repatriated to Palestine. In "Woman on a Bicycle," an unmarried French woman is pressed into service by the church to distribute underground communication pamphlets for the Resistance and ultimately ends up helping the church shelter 19 Jews.

Actress JoBeth Williams directed this Showtime family feature starring The Sixth Sense's Mischa Barton for Barbra Streisand's Barwood Films. Barton is Frankie and Ingrid Uribe is Hazel, Frankie's neighbor and best friend. Frankie is an orphan who lives with her imperious grandmother, Phoebe (Joan Plowright), while Hazel lives with her father and older brother. Frankie's mother was a prima ballerina--killed in a car crash along with her father--and Frankie's been following in her toe shoes ever since. Although she's the best dancer in her class, she'd rather play baseball, whereas Hazel's a local activist who'd rather be mayor. The story strains credibility when 13-year-old Hazel runs for office against the middle-aged incumbent, but Frankie's goal is more understandable, and both actresses make their characters sympathetic and believable. It's as hard not to like them as it is not to root for them to succeed.