In Kasorga island, nothing else matter except power, wealth, luxury and lusty desire. Meera Almeida is the owner of modelling and talent scout agency called Blaze. She gets good commission out of supplying girls to Kasorga island.
Mariam, a well-known dancer from Kampung Paku Laris is caught in a love triangle between the rich, powerful and handsome Marsani and the poor but kind-hearted Danial. When Mariam chooses to marry Danial, Marsani continues to obsessively pursue her. But when tragedy occurs and Mariam is found dead, while Danial's boat sinks at sea, strange things begin to occur. Fast forward 60 years later, and a young girl named Maria bears an eerily striking resemblance to the late Mariam.
Pontianak Harum Sundal Malam 2 is the sequel to the movie of the same title in 2004. The story continues after the "pontianak" (banshee/vampire) has avenged her death by eliminating her murderer (Marsani) and his entire bloodline. The story also explains her possesion of her own daughter and the end of her revenge. The story also sees Meriam coming to terms with her death before releasing her daughter from possesion and dealing with the obsession of her killer's son (Zali). Although the movie is still classified in the horror genre, this sequel delves more into sad emotions compared to the rage inflicted in the first movie.
The film is about the close friendship between the second Malaysian prime minister, Tun Abdul Razak and his deputy, Tun Dr Ismail. They were secretive about their health problems as they had the task of restore the peace in their country following the events of 13 May, 1969. Tun Razak was suffering from leukemia and he had to keep it a secret from his family. They both seek the services of Dr. Macpherson. The reading room of Tun Dr Ismail became a secret clinic for their treatment.
During the trouble-plagued making of a movie in production, a spoiled young actress named Ena Manjalara learns the true meaning of friendship, respect and artistic devotion based on her dealings with the idealistic director Malik and the production assistant Daud, whom she initially seduces. Daud is also related to Zai, a former old movie idol who is now destitute and losing her grip on reality.
Tok Wan Rimau, the custodian of the spiritual tiger, is searching for a female heir to inherit her powers. Tina (Maya Karin) and Ari (Rusdi Ramli) are the relatives of Tok Wan. They are also best friends. Tok Wan`s spiritual tiger protects her family and their village from harm. Tina, who is in love with Ari, nurtures her secret dream of marrying him even though the villagers often ridicule the effeminate Ari as a sissy. Deeply traumatised by these insults, Ari continues to hide behind his close relationship with Tina. Despite parental objections, Tina seems destined to be the next in line as custodian of the mystical tiger. But Ari steps in, offering himself instead.
Childhood sweethearts Moonir and Vina are reunited when they return to their hometown of Batu Saura, a small sleepy community on Langkawi Island, where nothing much ever happens. Love once lost is now rekindled.
Four young Malaysians, Salmi, Razak, Ani and Angee have been assigned to do a picture book of ‘1957’. While two of them grudgingly carry out the request made by the publisher, Zahari, one of them takes on the role enthusiastically. Along the way, they find themselves immersed in the characters, emotional moments, identifying with and finding meaning in the struggle of ‘1957’. They weave the story of independence by transporting themselves back to the past. Ordinary Malaysians who fell in love, and found their love for the country override their personal emotions. The present characters find new meaning to ‘Merdeka’
