40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.
Take a Bollywood film--a good Bolllywood film--with action, emotion, suspense, and laughter. With Indian actors who act, dance, sing and smother themselves with tomato sauce when feigning a bloody head wound. Now, watch the image with the sound turned down! And let Pascal Legitimus and Eric Le Roch re-invent a story, recreate the sounds and the atmosphere, rewrite the lyrics to the songs. They'll give a new meaning to the film, helped in doing so by many well-known actors, who'll lend their voices to the Indian actors on screen. This diversion isn't a danger to your health. You simply risk killing yourself laughing!
In Iasi, Romania, from June 28 to July 6, 1941, nearly 15 000 Jews were murdered in the course of a horrifying pogrom. At the time, the programmed extermination of European Jews had not yet began. After the war, the successive communist governments did all they could to ensure the Iasi pogrom would be forgotten. It was not until November of 2004 that Romania recognized for the first time its direct responsibility in the pogrom. All that remains of this massacre are about a hundred photographs taken as souvenirs by german and romanian soldiers, and a few remaining survivors.
A pioneering post-war female film director, an instigator of the New Wave who was honored by Hollywood in her own lifetime, Agnès Varda has become a source of inspiration for a whole new generation of young filmmakers. With movies like Cléo de 5 à 7, Le Bonheur, Sans toit ni loi, Les Glaneurs et la glaneuse, she created a quirky, open to the world, sensitive to the disenfranchised, often silly body of work. Always one finger on the pulse, she shook everything up, including cinema itself which she refused to constrict to pure fiction or long-form films.
On June 6, 1968, Robert F. Kennedy, a staunch opponent of racial discrimination, supporter of the inhabitants of poor neighborhoods and advocate of social change in America, was assassinated. With him, a whole section of the American dream collapsed. From the day of President Kennedy's assassination to the death of his brother Bobby Kennedy at the Ambassador Hotel almost five years later, this film looks back at the journey of this statesman and his fight for a fairer world. Four years during which Bobby Kennedy will fly on his own wings in politics, four years that will leave an indelible mark on American politics, four years full of hope, but ending with a bitter disillusionment. Through unique archives, discover a new portrait of this Kennedy that everyone called "Bobby".
In a totalitarian future, in a nightmare metropolis, inhabited only by criminals and police, Erik Lonnrot, a gifted detective, investigates a series of strange murders and disappearances that seem to implicate a insane crime lord. (Re-released in 1996 as a feature film, 86 minutes.)
A fascinating insight into the role of the intimacy co-ordinator, told through behind-the-scenes access to new queer French TV show Split.
This was a very human account of the lives and deaths of Marie Antoinette and Louis the XVI focusing primarily on Marie. It is an account of their lives from birth to death and the circumstances leading to the downfall of the French monarchy.
A old red riding hood, badly crippled after killing a monster many years ago, comes up with a sinister plan to dance again.
Mina was adopted from Ethiopia by Judith and Lionel, a married couple who already were the parents of a biological daughter. Though she was abandoned by her mother as a baby, it didn't really seem to have much of an impact on her. But when Mina turns thirteen, an identity crisis takes a hold of the girl. She is caught between two worlds - and feels nowhere at home. Mina snaps and descends into a destructive downwards spiral. Jealous of her non-adopted sister, she starts acting out, pitting her father and mother against each other and thereby dividing the entire family. Judith and Lionel don't know what to do. Will their parental love and kindness be enough to heal Mina's wounds?
Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.
Jeanne Poisson, the headstrong, ambitious, witty and erudite, catches the eye and heart of French King Louis XV at a costumed ball. She masters the art of seduction well enough to become accepted even by the Queen, corpulent mother of ten. As a sensibly chosen Royal 'favorite' mistress she is soon ennobled Marquise of Pompadour to facilitate her introduction at court. The immature dauphin (crown prince) proves a bitter and unrelenting enemy, joined by his imposed Saxon bride, and his sister at her deathbed. Although friends at court help Pompadour return, her health gives way.
There is an interlinking history of violent European colonialism and the cultural legacy of ethnographic collections in institutions. This documentary traces the progression of colonial history from the Berlin Conference of 1884-85 to the systematic elimination of cultural traditions, religions and lifeways which would occur sporadically through genocides and warfare until the early 20th century throughout the African continent—surveying the inquiries and movements for historical justice, the relationships between European institutions and colonial violence and following enduring struggles against these organisations to regain what was taken.
