Shall We Go to My Place or Your Place or Each Go Home Alone?

Shall We Go to My Place or Your Place or Each Go Home Alone? 1973

5.92

Arne, Calle, and Gunnar are friends, probably in their twenties. One telephones the others, and they decide to visit a nightclub. They hope to meet women and have sex. After they arrive at the club, each man meets with a certain degree of success or failure. Calle particularly is frustrated, for no woman agrees to dance with him. Meanwhile, Arne and Gunnar are busily conversing with women. Eventually the friends all leave with lady friends in tow, and spend the night in various apartments. In the morning, the couples depart differently. One couple has bonded amicably, another tenuously, and the third not at all. The next day, the men reconnect, and decide to try their luck again. Written by veloc

1973

The Magic Flute

The Magic Flute 1975

7.20

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina, in this screen adaptation of the beloved Mozart opera. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.

1975

Edvard Munch

Edvard Munch 1974

7.40

Edvard Munch's childhood is overshadowed by death: he suffers the loss of his sister and mother, while enduring serious illness himself, almost dying. At university, Munch discovers his talent as a painter. As he immerses himself in the art world, he becomes part of a cultural revolution lead by the likes of nihilist Hans Jæger.

1974

Parade

Parade 1974

5.60

For his final film, Jacques Tati takes his camera to the circus, where the director himself serves as master of ceremonies. Though it features many spectacles, including clowns, jugglers, acrobats, contortionists, and more, Parade also focuses on the spectators, making this stripped-down work a testament to the communion between audience and entertainment.

1974

Ingmar Bergman Makes a Movie

Ingmar Bergman Makes a Movie 1963

7.30

The year is 1961 and Ingmar Bergman is making a movie. While planted on the scene as apprentice to Bergman, Vilgot Sjöman (director, I Am Curious–Yellow, 1967), suggests to Swedish Television that they take the opportunity to record with the acclaimed director. In August, Sjöman and the television crew begin to capture what would become a comprehensive five-part documentary on the making of Winter Light, offering views of script development, set construction and lighting, rehearsals and editing, as well as intimate conversations with Bergman and members of his cast and crew. Footage from the film’s Swedish premiere delivers immediate audience reactions and the critics’ reviews the following day.

1963

En magisk värld

En magisk värld 1979

1

"A Magic World" - For me the world is weird because it is stupendous, awesome, mysterious, unfathomable; my interest has been to convince you that you must assume responsibility for being here, in this marvelous world, in this marvelous desert, in this marvelous time. I want to convince you that you must learn to make every act count, since you are going to be here for only a short while, in fact, too short for witnessing all the marvels of it.

1979

Ciao, Federico!

Ciao, Federico! 1970

6.60

A behind-the-scenes documentary about the filming of the Federico Fellini film, "Satyricon."

1970

Storm

Storm 1960

5.80

An elderly gentleman lives alone with his maid Louise. He spends his days chatting with the confectioner who lives and works downstairs, playing chess with his brother Karl Fredrick, and content with his memories. His young wife Gerda ran out on him five years ago, taking their young daughter with her. Now, unbeknownst to the gentleman, she’s back… and living in the upstairs apartment with the child and her new husband. When Gerda finally faces the man, sparks will fly and old wounds will be reopened. Bergman's TV adaptation of August Strindberg's play "Storm" was presented on the 111th anniversary of the author's birth. The production was also shown in Denmark and Norway and received glowing reviews. Bergman was celebrated as an outstanding TV director and was praised for his tact and sympathy in depicting old age, his superior lighting and fine camera work as well as his understanding of the medium in his use of close-ups.

1960

Rabies

Rabies 1958

7.50

A relay race of "scenes from human life". Depicts the human characters inferior traits are spreading like a disease: the person who gets rejected / humiliated / oppressed takes it out on someone else.

1958

Badjävlar

Badjävlar 1971

6.70

Holidays on the swedish east coast. Invading summer guests collide with the locals, all without inhibitions. The formerly so radical Social Democratic municipal councilor has completely lost his visions and fully accepts that the area is transformed into a tourist resort for the rich.

1971

Mr. Sleeman Is Coming

Mr. Sleeman Is Coming 1957

5.60

Herr Sleeman kommer is a 1917 one-act play by the Swedish author Hjalmar Bergman. The main character is an orphaned young woman who is about to be married off to an unappealing but rich old man, Mr. Sleeman, at the instigation of her aunts who have taken charge of her. Bergman infuses the situation with overtones of rueful pessimism concerning life in general.

1957

Wood Painting

Wood Painting 1963

6.00

A knight returning home with his squire Jons after a ten-year crusade to the Holy Land finds a country paralyzed by the Black Death, a newly burned witch, a blacksmith and his runaway wife, an actress, a Virgin Mary with her child and the knight's faithful wife. All approaches the realm of the dead in a single "tragicomic long dance of death". The narrator begins with: "In a church in southern Småland is our spectacle painted on the wall just to the right of the entrance to the porch. The unknown painter has on the church wall depicted a number of people in formal long dance toward death."

1963

Inferno

Inferno 1973

6.00

August Strindberg in Paris divorced from his wife, children and friends. In the company of Parisian artists and writers, including Paul Gauguin and Edvard Munch, but often he feel they ridicule and persecute him. Isolated Strindberg venture successfully in alchemical experiments.

1973

Sven Klang's Combo

Sven Klang's Combo 1976

6.90

Sweden 1958. In a small provincial town there is a band who plays dance music twice every week. All decisions are made by Sven Klang, the undisputed leader of the band. A new member joins them, saxophone player Lasse. He starts to criticize Sven's decisions, questions the way they divide the money and he also wants them to be more of a jazz band.

1976

Fia i folkhemmet

Fia i folkhemmet 1977

1

Fia is 18 years old, pregnant and has just moved with her boyfriend to their first apartment in a suburb. Alone she tries to navigate the society of adulthood for the first time.

1977

Waiting for Godot

Waiting for Godot 1971

8.00

Somewhere sits two men, Vladimir and Estragon, waiting for a man named Godot. Internationally acclaimed Swedish TV dramatized version of the classic stage play.

1971

Pälsen

Pälsen 1966

1

Doctor Henck is having bad day, and borrows a fur from a friend. It gives him new confidence, and his day immediately gets better. Hjalmar Söderberg's rejected 1911 movie script, filmed in 1966 for TV as a silent film with a piano soundtrack, to match the time in which it was written for.

1966

The Lie

The Lie 1970

1

A Swedish couple are trapped in their marriage and way of life. Locked up in their bourgeois inferno.

1970