Central Studio of Documentary Films

Documentary film about early years of Russian cinema: its first directors, cameramen, producers and actors. Includes rare fragments of pre-revolutionary feature films, newsreels and Starewicz's animation.

Documentary made for the 60th anniversary of Soviet director Sergei Eisenstein.

Against the backdrop of the approaching global threat to humanity - the AIDS disease, threatening to undermine the moral and ethical climate of the USSR and its citizens who lived by the immutable code of the builders of communism, rejecting any moral vices of humanity, the film shows that the "risk group" in the form of drug addicts, prostitutes and homosexuals in the Soviet country not only exists, but its scale is great ... What the heroes of the film themselves, whom Soviet doctors and politicians classified as a "risk group", talk about in this first "revolutionary" video film.

Following an introduction by Bing Crosby, the Cinerama screen widens for scenes of landscapes, cities, peoples, and entertainments of the Soviet Union. Highlights include the historic buildings and churches of Moscow, as the Kremlin; its subway and streets, a spring carnival, the seaside resorts on the Black Sea, a trip down the Volga River, skiers, a troika racing along a snow-covered road, a helicopter view of the North Pole, an Antarctic whale hunt, the capture of a wild boar in the Moyun-Kum of Central Asia, a race by reindeer-drawn sleds, divers in the Sea of Okhotsk, battling an octopus, the capture of antelopes, rafting logs down the Tisza River, and the development of new towns in Siberia. Other scenes include a visit to the Moscow Circus, where the renowned clown Oleg Popov performs, the dancing of the Moiseyev and Piatnitsky companies, and excerpts from the repertoire of the Bolshoi Theater Ballet.

The Crimean (Yalta) conference of the leaders of the three powers - allies in the Anti-Hitler coalition was held from February 4 to February 11, 1945 in the Livadia Palace near Yalta.

Documentary essay about the First Moscow International Film Festival, held in August 1959, about its participants and guests - Soviet and foreign actors, directors who came to the film forum.

Documentary recounting the story of the Cuban Revolution and its impact on the young people of Cuba.

These are last days of the Soviet troops' stay in Afghanistan. What's next? About the economic difficulties after the war is over, the results of the military company.

Documentary portrait of Dziga Vertov, father of documentary cinema.

Soviet documentary shot right after liberation of Auschwitz. Ot was used as evidence by the Soviet prosecution at the Nuremberg trials. In 2014, footage shot by cameraman Aleksandr Vorontsov, as well as his interview given in 1986 for German television, were included in Andre Singer’s documentary “Night Will Fall”.

A rare documentary that shows how Soviet war propaganda presented the events of the Finnish front in 1941–1944. The main emphasis is on the resolution of the war. The film contains plenty of unique footage of the final stages of the Continuation War.

A documentary about the making of Andrei Tarkovsky's ANDREI RUBLEV, and Andrei Konchalovsky's THE STORY OF ASYA KLYACHINA.

Lenin Is Alive!

"This film follows one day in the heroic struggle of the Soviet people against the German Fascist invaders." A Day of War (Den voyny), a chronicle of total war filmed on all fronts as well as at the rear, was produced by the Central Studio of Documentary Films; shot by 160 newsreel cameramen on June 13, 1942, the 356th day of the Great Patriotic War; superbly assembled by M. Slutsky; and released on October 22, 1942. Its cameramen were informed of the actual date of shooting only two days before work commenced.

March 9th, 1953. A gray, sad day. Clouds float low over the Kremlin towers. A city that unrecognizably grew, prettier and matured - this Moscow froze in solemn grief. The country escorts its father and leader, Joseph Stalin.

About prostitution in late USSR. Who are they? Why are they doing it? Are they ashamed? What do foreigners feel and want from it?