In this fascinating Oscar-nominated documentary, American guitarist Ry Cooder brings together a group of legendary Cuban folk musicians (some in their 90s) to record a Grammy-winning CD in their native city of Havana. The result is a spectacular compilation of concert footage from the group's gigs in Amsterdam and New York City's famed Carnegie Hall, with director Wim Wenders capturing not only the music -- but also the musicians' life stories.
Simón transports illegal immigrants to New York, leaving them to their fate. When he is discovered by the coastguard, a young sailor, named Andrés saves his life. But when Andrés falls for Marie—a young protegée of Simón's—conflict erupts.
Four vignettes on the lives of the Cuban people in the pre-revolutionary era. In Havana, Maria is ashamed when a man she loves discovers how she makes a living. Pedro, an old farmer, discovers that the land he cultivates is being sold to an American company. A student sees his friends attacked by the police while they distribute leaflets supporting Fidel Castro. Finally, a peasant family is threatened by Batista's army.
While Havana is full of zombies hungry for human flesh, official media reported that the disturbances are caused by dissidents paid by the United States. Panic seizes all until Juan comes to the rescue: he discovers he can kill the undead destroying his brain, and decides to start a small business under the slogan "We kill your loved ones."
Set in 1979, following a young Communist man's relationship with a gay Catholic writer, exploring tolerance, inclusion, homophobia and challenging its Cuban audience with great humour. Based on the short story by Cuban writer Senel Paz.
Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.
In the aftermath of the Bay of Pigs incident, Sergio chooses to stay behind in Cuba while his wife and family escape to neighboring Miami. Alone in a brave new world, Sergio observes the constant threat of foreign invasion while chasing young women all over Havana. He finally meets Elena, a young girl he seeks to mould into the image of his ex-wife, but at what cost to himself?
Guzmán’s final installment shifts from covering the actions of Allende’s opponents to those who battled to revive & promote their toppled leader’s vision for a new Chile.
Meet Chala, an eleven year-old boy with a hard life and strong respect for Carmela, his sixth grade teacher. The pair develops a solid bond, but after Carmela suffers an accident, things get complicated…
The film takes place in 1850, Texas, United States. Louise, daughter of the wealthy plantation owner Poindexter, master of the hacienda Casa del Corvo, falls in love with a poor mustanger Maurice Gerald. The night their secret rendezvous happens, her brother Henry disappears. Suspicion in murder falls on Gerald, who was found covered in blood, with signs of struggle on the body and on Henry's cloak. One more minute, and an angry crowd would have Gerald lynched, but then the mysterious Headless Horseman appears...
Professor Von Dracula, a vampire scientist, leaves Transylvania for Cuba, where he invents "Vampisol," a potion that allows vampires to survive in sunlight. When the professor announces his intention to donate the formula free-of-charge to vampires all over the world, the Vampire Mafia from Chicago and the European Group of Vampires from Düsseldorf try to muscle in and steal the formula. The action escalates crazily as an assortment of bad guys, police, vampires and other monsters, and our hero and his girlfriend are all caught up in the chase.
This black-and-white film is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The film uses historical images which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.
An unclaimed fortune, grown for centuries in a British bank account, becomes a potential windfall for Bernadito Castiñeiras and the residents of the tiny village of Yaragüey, Cuba. To receive his massive inheritance check, Bernadito must prove his lineage to the Castiñeiras nuns who first populated the region. In an isolated and impoverished town where many residents share the same surname, a feud breaks out between the "Castiñeiras" and "Castiñeyras" families.
Javier is an actor with an affinity for writing. When he begins his love story with Luisita, he does not know where the truth begins and ends. Fifteen years later he has converted his story into literature that relates his tragic love story in a creative way.
The teacher and the butcher of a small town in the tropical Andes, are both in love with the same woman (Miriam). They decide to duel for her. Everyone in town catch the notice, except of course for Miriam. The Mayor then decides to manipulate the event to make it political.
A pious plantation owner attempts to teach Christianity to 12 of his slaves by inviting them to participate in a reenactment of the Last Supper.
In his award-winning film Lucía, Humberto Solás interpreted the theme of Cuba’s hundred years' struggle in an entirely novel way to create an epic in three separate episodes, each centred around a woman called Lucía and each unfolding in a different period of Cuban history, corresponding to the three stages of colonialism (1895), neocolonialism (1930) and socialist revolution (1968). The three episodes also present us with "Lucías" of different social classes. Solás described his film in this way: "The woman's role always lays bare the contradictions of a period and makes them explicit: Lucía is not a film about women, it's a film about society."
Gorka has long postponed again and again the answer to the pressing questions that his son Aitor asks about his past. Gorka, a member of ETA political-military until its dissolution in the early eighties, ends joining the guerrillas in Central America. A life experience shared with Maddalen, a nurse and committed Christian, with José, an indigenous guerrilla member, and Andrés a former military, head of the insurrection. An experience that will transform them all.
A young man attempts to fight the system in an entertaining account of bureaucracy amok and the tyranny of red tape. Restored by the Academy Film Archive and the Instituto Cubano del Arte e Industrias Cinematográficos in 2019.
Aurelio Saravia is a powerful politician who holds office in Uruguay in the mid-1960's. When Aurelio's mistress kills herself, he adopts their illegitimate daughter Masangeles despite the stern objections of his wife Aurora. Masangeles finds herself growing up in a home ruled by a corrupt and self-centered tyrant and his manic colleagues while Uruguay teeters on the brink of civil war as bands of revolutionaries battle government militias. When she turns fourteen, Masangeles discovers a secret passageway in their home that leads to sanctuary in a nearby church which also serves as a storehouse for guns and ill-gotten cash. Teenage Masangeles falls in love with Santiago, her stepbrother who has joined the rebels fighting against the state, and she persuades him to take her virginity.
