Peter Pan

Peter Pan 1976

6.00

Peter Pan is a 1976 musical adaptation of J. M. Barrie's Peter Pan, or the Boy Who Wouldn't Grow Up, produced for television as part of the Hallmark Hall of Fame, starring Mia Farrow as Peter Pan and Danny Kaye as Captain Hook, and with Sir John Gielgud narrating. Julie Andrews sang one of the songs, "Once Upon a Bedtime", off-camera over the opening credits. It aired on NBC at 7:30pm on Sunday, December 12, 1976, capping off the program's 25th year on the air. The program did not use the score written for the highly successful Mary Martin version which had previously been televised many times on NBC. Instead, it featured 14 new and now forgotten songs, written for the production by Anthony Newley and Leslie Bricusse.

1976

The Next Voice You See

The Next Voice You See 1975

8.50

An American jazz pianist, blinded in a London bank robbery ten years before, makes his first return appearance in England at an engangement party where he believes he hears the voice of the gunman who cost him his sight.

1975

The Colour of Blood

The Colour of Blood 1973

1

A young girl on a train finds out that her companion is a serial killer.

1973

Kiss Me and Die

Kiss Me and Die 1974

5.00

When his brother vanishes without a trace, American Robert Stone goes to his last known location: a remote English village. Robert's investigation leads him to the mansion of Jonathon Lanceford, a man obsessed with the Gothic works of Edgar Allen Poe, and his beautiful and enigmatic niece Dominie...

1974

Death of a Princess

Death of a Princess 1980

7.80

A journalist investigates a newspaper story of the execution of an Arab princess.

1980

Lady Killer

Lady Killer 1973

6.70

A shy, lonely American girl marries a charming man she meets while on vacation in England, unaware that he has sinister plans for her.

1973

Ann-Margret Olsson

Ann-Margret Olsson 1975

1

Ann-Margret gave viewers a double dose of movie star glamour in 1975, with a pair of TV specials designed to showcase her musical and comedic talents. Arriving first up in January was this program "Ann-Margret Olsson" with guest stars The Osmonds and Ike & Tina Turner Turner. (The follow-up special "Ann-Margret Smith" debuted in November.)

1975

Twelfth Night

Twelfth Night 1970

6.40

Sir Alec Guinness, Sir Ralph Richardson and Joan Plowright star in this merry on-stage mix-up of identity, gender and love in Tony Award-winner John Dexter’s production of William Shakespeare’s Twelfth Night. Originally broadcast on Britain’s ITV, this classic performance captures all the slapstick, puns and double entendres that have amazed and amused audiences for over four hundred years.

1970

Once the Killing Starts

Once the Killing Starts 1974

7.00

Married college professor Michael Lane falls in love with one of his students and hatches an elaborate scheme to dispose of his wife, Elizabeth. His murder plot goes as planned. However, he soon receives an anonymous note: "I know what you did, murderer!" Prof. Lane frantically tries to discover who knows his secret...

1974

Sleepwalker

Sleepwalker 1975

6.00

A young American woman visiting her author father in London discovers that her childhood habit of sleepwalking has recurred. She has a vivid dream of witnessing a murder in a strange house - or is it a dream?

1975

Dial a Deadly Number

Dial a Deadly Number 1975

7.00

A young woman tormented by murderous dreams decides to call a psychiatrist for help but accidentally dials a desperate out -of-work actor.

1975

The Man in a Looking Glass

The Man in a Looking Glass 1972

7.00

A robbery is prevented by an undercover art dealer pretending to be a criminal. Edited from TV series, The Baron.

1972

In the Steps of a Dead Man

In the Steps of a Dead Man 1974

8.00

When a young soldier suddenly dies, his parents and his girlfriend are naturally shocked and upset by the news. Several months later a young man turns up at the parent's house claiming to be their dead son's best friend. They welcome him and invite him to stay for a while. They also introduce him to their son's girlfriend and she is similarly impressed by him. It is later discovered, however, that he is not what he appears to be and may have had a hand in their son's death.

1974

Mister Jerico

Mister Jerico 1970

5.00

Con man Dudley Jerico sets out to rob corrupt millionaire Victor Rosso of his legendary Gemini diamond, but there's another operator in town who is out to con the con.

1970

Beasts: The Dummy

Beasts: The Dummy 1976

1

A washed-up actor has a nervous breakdown and believes that he really is the movie monster that he has been hired to play. Created as an episode of Nigel Kneale’s “Beasts” horror anthology miniseries.

1976

Beasts: What Big Eyes

Beasts: What Big Eyes 1976

1

An RSPCA officer is horrified when he discovers a pet shop owner has been conducting experiments on a wolf, searching for proof of lycanthropy. Created as an episode of Nigel Kneale’s “Beasts” horror anthology miniseries.

1976

Julie and Dick at Covent Garden

Julie and Dick at Covent Garden 1974

7.00

The program, deftly taped on a studio sountstage simulating the cobbled streets, stately, facadest colorful produce and quaint shops of the Drury Lane Theater, area in London, is linked to the atmosphere and history of the famous old showcase. Miss Andrews and the two Americans cavort in some very funny slapstick, including a “Cinderella” take‐off of traditional English pantomime. Even a tender, dramatic vignette, with Miss Andrews and Mr. Van Dyke in a fogshrouded meeting during World War II, Works appealingly. The songs flow almost continuously, enhanced by the muscular leaping of the Paddy Stone Dancers, clad as Covent Garden street workers. The ensemble finale is dandy, with a cavalcade of excerpts of songs from American hits at the Drury Lane, from “Rose Marie” to “Hello, Dolly!” Miss Andrews sings as beautifully as ever. Blake Edwards produced, Dennis Vance directed, and Marty Farrell, Frank Waldman and Dick Hills wrote the program.

1974