The Time We Killed portrays the inner life of a writer unable to leave her Brooklyn apartment on the brink of the US invasion of Iraq. Robyn Taylor tries to kick her growing agoraphobia by re-imagining her past and contemplating world events of the present. As Robyn begins to overcome the amnesia that afflicted her as an adolescent, she fears coming down with “the amnesia of the American people”.
Film artist Jennifer Reeves and musician Anthony Burr collaborated to make this live film and music performance, which mixes and subverts symbols of science, industry, medicine and madness. Up to 4 screens and 4 channels of multi-layered music immerse the audience in colorful rhythmic molecular forms, morphing frequencies and visual textures, which are broken down to the particle. Found images from the 20th century educational films are sewn together with melted down pharmaceuticals affixed directly to the film, and form a concentrated fusion with pulsating electronic sounds and an acoustic multi-tonal bass clarinet. Illustrations of brain dendrites, synapses, waveforms and assembly lines personify the movement of frequencies and light as they envelop the audience. As the performance ensues, the intensity builds to a point of irresistible danger and rupture.
It is a modern-day adaptation of William Shakespeare's Othello. The film’s title (Malay: "Fine Needle") is derived from a Malay idiom meaning web of deceit or conspiracy, which is a major theme in the plot of the film. The plot remains faithful to the source material, with the cast all taking their Shakespearian counterparts either in name, character or both.
A single-parent family of refugees from Kashmir, a long-thought-extinct Tasmanian tiger and a colorful bunch of bush characters collide. The family’s youngest boy, Usman, is grieving over the loss of his mother, but bonds with the very rare Tasmanian tiger pup.
