The Heirs 1970
An allegory about Brazil's history and the struggle for power since the 1930 Revolution until the advent of the TV.
Instituto Nacional de Cinema (INC)
Brazil in Cannes 1971
The importance of the Cannes Film Festival in world terms and what it represented for Brazil in 1971. For Brazilian cinema, Cannes 71 represented the transition from film to industrialized production. It is the meeting of producers, technicians, critics , celebrities in general, offering opportunities for greater knowledge and renewal of values
O Tempo e o Som 1970
Alberto Cavalcanti 1970
O Primeiro Salto 1965
Ecologia 1973
This film denounces the exploitation of natural resources by certain industries of extraction and transformation. This documentary is considered as the first Brazilian film on this theme.
A Madona de Cedro 1968
Delfino, a quiet man who lives in Congonhas do Campo, a small historical town in the state of Minas Gerais, Brazil, is urged by his friend to steal the image of the Madona de Cedro (the Cedar Madonna), sculpted by Aleijadinho in the 18th century, from the town sanctuary.
Uma Cruz na Estrada 1970
Pilar 1974
Megalopolis 1973
An analysis of the phenomenon of accelerated urbanization in Brazil, and more particularly in Rio de Janeiro and Sao Paulo.
A Doce Mulher Amada 1969
Oswaldo Cruz 1973
The film documents the old Rio de Janeiro and its great focus of diseases. Stresses the decisive importance of Oswaldo Cruz who creates Experimental Medicine in Brazil, believing that without sanitation, no undertaking could succeed. Rodrigues Alves then started the urbanization of Rio, against great interests.
Laço de Fita 1976
Panorama do Cinema Brasileiro 1968
The panorama of film production, from 1898 to 1966, told through the work of young pioneers who built the odyssey of cinema. The lines, styles and trends are in this anthology of many of the best moments of Brazilian Cinema, which seeks, in a moment of maturity, to perpetuate and encourage the impetus of the pioneers.
Carmen Santos 1969
Semana Santa em Ouro Preto 1970
Filmed between March and August 1970, the film presents the Catholic festival from its performative dimension. Residents of the region reveal a certain nostalgia for the spectacle, which, according to them, have been lost over time. It is in the search for a theatrical revival that the film operates, reactivating the historic city as a large open-air stage.
