At the end of the 1960s, when the air is filled with rock-and-roll and student rebellions are changing the world, the older of two brothers joins a prestigious newsroom of the public radio broadcaster. Not long after, he finds himself in the middle of a dangerous conflict between journalists and the secret service.
After years together, Petr and Hana, partners in work and in life, share their unspoken erotic fantasies. What begins as an innocent conversation gradually turns into curious experimentation with a non-monogamous approach to their relationship. But sexual freedom tastes differently for each of them. Without resorting to exploitation, Tomasz Wiński’s feature debut considers questions that are taboo for many couples. Borders of Love explores not only various forms of intimacy but also ways of depicting it on the big screen, since, among others, the protagonists themselves film each other on their mobile phones. Appearing in the main roles are Matyáš Řezníček and Hana Vagnerová, who collaborated on the film’s story and script as well.
It’s 2041 and the gaps in social and economic inequality have left the world on the brink. A breakthrough in science has given humanity the ability to bring victims of a violent crime back to life by backing up their brain every 2 days. This allows an ambitious, young detective the opportunity to solve a case of a murdered couple when the restoration team is able to bring one of them back.
While Emperor Domitian persecutes the Christians, the aged apostle John has prophetic visions.
A biblical epic from the Book of Acts and Paul's epistles covering his conversion from Saul of Tarsus to his ministry to the Gentiles.
Jolana (18) is an object of her step-father's desire. She is unable to cope, especially when her own mother turns a blind eye. Those events are heavily paid for when she finds herself working in a brothel. Her inability to cope raise a question: What is it she actually wants? Are her dreams of escaping really better than the reality she finds herself in?
After losing his parents, a young Jewish boy wanders Eastern Europe, seeking refuge during World War II.
Jesus, a carpenter living a simple life, discovers his destiny as the biblical Messiah.
In the treacherous and swampy forests that make up the so called “green border” between Belarus and Poland, refugees from the Middle East and Africa trying to reach the European Union are trapped in a geopolitical crisis cynically engineered by Belarusian dictator Alexander Lukashenko. In an attempt to provoke Europe, refugees are lured to the border by propaganda promising easy passage to the EU. Pawns in this hidden war, the lives of Julia, a newly minted activist who has given up her comfortable life, Jan, a young border guard, and a Syrian family intertwine.
Esther, the beautiful queen of Persia, intervenes to save the Jewish people from a bloody massacre.
After a fictitious marriage with a Russian emigrant, Cellisten Louka, a Czech man, must suddenly take responsibility for her son. However, it’s not long before the communication barrier is broken between the two new family members.
Isaac's son Jacob deprives his brother Esau of his birthright and has to flee for his life. He finds shelter with his uncle Laban, but is himself deceived. Finally, Jacob has to face both his uncle and brother.
David, now an old man, is still king of Israel. Among his sons, the ambitious Adonijah and the clever Solomon, fierce rivals, since both are prospective heirs to the throne and only one can be.
Lt. Franta Slama is a top pilot in the Czech Air Force who is assigned to train a promising young flier, Karel Vojtisek, and they soon become friends. When Nazi Germany invades Czechoslovakia in 1939, they both reject the authority of their new leaders and escape to England where they join other Czech exiles in the RAF. While flying a mission over England, Karel crash lands and happens upon the farmhouse of Susan, a young woman whose husband is in the Navy. Karel soon falls head over heels for Susan but, while they enjoy a brief fling, in time Susan decides she prefers the company of the older and more worldly Franta. As Franta and Karel struggle to maintain their friendship despite their romantic rivalry.
Tom (4 years old), Suzanne (8) and Derek (10) spend the weekend with their grandparents. But nothing is as usual: Grandpa seems to be elsewhere; Tom wonders where Grandma has gone, she who always tells him incredible stories; Derek is hard at work renovating the old apple tree hut. So following in the footsteps of her ancestor, Suzanne improvises herself as a storyteller to illuminate the house with imaginary and wonderful stories and try to fill the absence of Grandmother. The movie is an adaptation of three tales written by Arnost Goldflam.
Conceptual visual artist Ján Mančuška died in 2011. However, in his short 39 years of existence, he managed to create a number of remarkable works, many of which have been exhibited in renowned galleries around the world – including the Centre Pompidou in Paris and MoMA in New York. In his homeland, however, his work reflecting everyday life, social reality or the meaning of language has never achieved comparable fame. Together with the children of an artist who was not afraid to confront the public with the question of the meaning of art, the director embarks on a journey that aims not only to get closer to Mančuška, but also to reveal him in hitherto unrecognised shades, thus filling in the gaps that are increasingly appearing in the context of the fading memory of his personality.
The principal of an elementary school calls a special parents meeting after it’s alleged that the seemingly empathetic and kindly-looking teacher Mrs. Drazděchová uses her students to manipulate their parents.
Just before World War 1, the fifteen-year-old poverty-stricken Anne from a small Slovak town is sent to Prague to be a maid in a wealthy family. She meets Resi, the daughter of a noble family, who was born and raised to be an adornment and a trophy – of the house, of her family, of Austria-Hungary. Anne and Resi, two girls born in the same year, but at the other ends of the social ladder, find a soulmate in each other. They become best friends, lovers and the only light in a male-dominated world.
Over the course of one year, this film follows the life of an ordinary Pyongyang family whose daughter was chosen to take part in Day of the Shining Star (Kim Jong-il's birthday) celebration. While North Korean government wanted a propaganda film, the director kept on filming between the scripted scenes. The ritualized explosions of color and joy contrast sharply with pale everyday reality, which is not particularly terrible, but rather quite surreal.
