The Red Virgin 2024
Hildegart is conceived and educated by her mother Aurora to be the woman of the future, to become one of the most brilliant minds of Spain in the 1930s and one of the European references on female sexuality.
Hildegart is conceived and educated by her mother Aurora to be the woman of the future, to become one of the most brilliant minds of Spain in the 1930s and one of the European references on female sexuality.
After moving in with her boyfriend, Mila becomes aware of her loss of desire.
In the middle of summer, five women rehearse a play in an old mill, isolated from the world.
Son confesses to his mother, Ana, that he does not feel like a girl; he is a boy. Confused and blocked, Ana will decide to stop in order to observe and understand him and, in the same way, to understand herself. Ana and Son are two sides of the same coin: a mother who does not take care of herself, of her own identity, and a boy in search of his identity with all his strength.
Maria (34), a young writer who has just become a mother, is obsessed with a scandalous event: Alice Espanet (37) has drowned her 10-month-old twins in the bathtub. Writing about Alice will be Maria's only way to understand the radical experience of her own motherhood.
Ramona’s life in a Galician fishing village is a constant hustle. Always sacrificing everything for her daughter’s future, she will be pushed to look inwards and to think that, maybe, there is something new to live for.
Carla is pregnant and naked, imitating the poses her mother took when she was pregnant with her. Sunlight filters through the windows. You see pictures in Super-8 of mothers and fathers, grandmothers and grandfathers, smiling, sewing, reciting poems. Then, a young girl travels from the Sixties to the Eighties, until today, crossing the thresholds of femininity and history, until the meeting with Carla by the Blue Sea of Catalonia and with Manel, Carla's newborn son.
A Russian oligarch reckons with harsh truths relating to his family's future.
Marina travels to Vigo to meet the family of her biological father, who died of AIDS, like her mother, when she was very young. Through meetings with her uncles, aunts and grandparents, Marina tries to reconstruct a coherent account of her father and the love story she lived with her mother.