Els Films de la Rambla S.A.

Anna returns from Africa, where he worked two years in an NGO, and is hired as a security guard at an exclusive health center on the outskirts of Barcelona. By breaking with her ​​boyfriend and go home, a colleague leaves a camper as temporary housing. Spend a few weeks on a wilderness camping and then installed in the parking lot of a service area of the highway. On a night patrol work meets a young, admitted by court order, do not walk because of paralysis and refuses to reveal his identity.

Sole, Mari Pili and Marta are the twenty three young people hanging around who share a flat in Barcelona before the Olympics. Tired of sacrificing to find romance, wonder what need have expected the weekend to go to a nightclub and rolled with the first guy you meet. Then decide to take action and play a game: live an adventure with the first man who asks the name.

This film evokes Valencia illegal gaming back in the seventies. A young peasant -Ferran- plays cards not much to make a living but as a distraction of his daily routine. Ferran meets a larger-than-life character -el chino- who happens to play cards for a living. This other guy is depicted as a Toni Manero look alike but his charisma an arrogance lead the innocent Ferran to join him in his schemes to make money to end up betting all on the next card table. At some point the action moves to Madrid and Ferran steps down losing track of El chino who takes on more dangerous games making a living out of Russian Roulette until the round gets loaded. Based on real events this is no Hollywood epic but it captures the desperation of the characters very effectively.

Minimalistic frieze fifteen episodes about human behavior (desire, submission, love, jealousy, wisdom, honesty, sincerity, passion, faith, ...) located between two fantastic stories about the will and doubt.

The lower part of Barcelona’s best district is a quiet and stately neighbourhood. The House of Columns hides many secrets, and has witnessed many events. The Catalan capital’s multiculturalism has a lot to offer. It’s better to laugh than to cry!

In the district of Gracia, in Barcelona, ​​a nasty old woman shares a flat with a young man, non-conformist. The guy is struggling to find his place in the world. Neither of them let themselves being intimidated, though she holds the power and the young only illusions. The old woman has given up her dreams and the young man is discovering them. A perpetual fight without truce, although both need themselves. Humor, tenderness, agility, great neighbors, a neighborhood of young people, a beautiful girl and a powerful sound track. The positive side of life.

Anna Maria Dalí is four years younger than her brother Salvador and they love each other. Both enjoy the great progressive atmosphere of republican Spain, fraternizing with great creators, García Lorca, Buñuel.

The eroticism exudes in the eleven interconnected stories that recount difficult relationships and violent sexuality

Mario is dominated by his castrating wife, and is also suffering from writer's block. He goes to a local (very mixed) bar where he meets an exhuberant blonde prostitute, through her room mate, a gay gigolo. With Mario's help, the blonde goes on to better jobs in the world of pornography, involving traveling abroad. This may not seem like good news for Mario, but he may also move on to a better phase in his life as a result.

A swim instructor dealing with a child terrified of the water is accused of inappropriate behavior -- but the stories offered don't line up, leaving parents suspicious and doubtful.

Fifty-something widow Anita loses her lifetime dream job as a cinema attendant when the new owner wants to tear down the old theater and build a trendy multiplex in its stead. Depressed at first, Anita finds comfort in watching the shirtless hunks on the theater's construction site. She befriends a married excavator operator, Antonio, and the two start their secret candlelit trysts in the site's office cabin. But soon Anita learns that excavators are only needed in the early phase of a construction project...

In order to prepare for her role as a certain well-known actress, a young woman has lengthy conversations with three different actresses who were good friends with the famous star. Emerging from these conversations are three equally different versions of the past and the events that shaped their lives and careers. This cinematic adaptation of a theatrical work is true to the original, but does not stray far from a theatrical rendering of the story.

If one person's destiny were altered (in this case, not dying), how might that event change the lives of numerous other people, or in this case, prevent seven others from dying.

Based on a work of Josep Maria Benet i Jornet entitled "Testament", the film tells the story of an aging professor of medieval literature with the dilemma of deciding who will inherit his essay on "The Book of friend and loved" by Ramon Llull. Feeling near death as a result of illness, he discovers that the ideal person is a young and intelligent student he is in love with and who is dedicated to male prostitution.

Two young friends, urban out-of-a-job types, work out, along with a mate -a professional pusher- a way to get out of the misery they are living in: kidnap the rich guy of the town.

Fragments of the memory of three great artists José Pérez ‘Ocaña’ (Cantillana, 1947 - Seville, 1983), Javier Patricio ‘Gato’ Pérez (Buenos Aires, 1950 – Caldes de Montbui, 1990) and Pepe Rubianes (Villagarcía de Arosa, 1947 – Barcelona, 2009) became icons who helped make the city of Barcelona Universal and Pharaoh

Rosita, a plump and temperamental opera diva, leaving the shooting of Tristan and Isolde in Hollywood, to learn that the producer does not offer the title role in the upcoming film Romeo and Juliet. And travel to Bulgaria after accepting an invitation from Frank, a childhood friend who has a restaurant.

Spanish director Ventura Pons returns to documentary filmmaking with this study of world-renowned museum expert Ignasi Millet. HIV-positive yet promiscuous, accustomed to opulence yet now struggling to endure Spain’s economic crisis, Ignasi is a fascinating set of contradictions — and Pons’ film is a portrait of both the man and his times.

Fifteen stories, contemporary and some historical, where humorous, sarcasm and courage passed bills to pain, old age, death and love, but above all with human stupidity, without concessions, watching her face the difficult life balance and human misery.

As a photographer, Colita is an undisputed master of the portrait of 20th-century Barcelona. In her garden, she sips tea with her friends, all of them very important women: writers, singers and actresses filled with wit and exuberance. Together, they revisit their memories of intensely lived years: the last two decades of the Franco dictatorship. Just enough to complete the image through the lens of her camera. There is no distance in her art.