Escuela Internacional de Cine y Televisión (EICTV)

Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.

In a fumigation centre in Havana, Mayelín has the ungrateful task of fining citizens who infringe sanitary regulations. Apart from fighting dengue and disciplining her workers, she is, herself, under pressure from one of her supervisors. Mayelín must learn to find her place within a stressful and sometimes aggressive work environment.

Alfa, a famous porn actor, must deal with his fears, insecurities and memories when he begins work on a new film without Yerry, his former partner in life and porn. On his first day of shooting without him, Alfa tries to act as in the past but can things be like before? Javier Ferreiro's short film reflects on the difficult decision of letting someone go to move forward. ALFA is framed in the context of gay porn cinema in Cuba where pornography is banned but, little by little, it's growing up an underground industry impulsed by foreign tourism.

Having Cuba as a background, decadent and in crisis, in a black-and-white lacerated by the Caraibic swinging rain, Alex and Edith, a couple in their 30s, live their love story made of small daily gestures, stories from the past, nostalgia, and a deep intimacy.

The daily life of an Afro Cuban family and the relationship between the carnal and the spiritual in the sacrifice of their last cock to eat.

Jean Remy is a Haitian man struggling to find employment in Dominican Republic. Confronted with rejection and discrimination in the city, he sets off to try his luck in the countryside. Imbued with a naturalistic grace, this deeply sympathetic portrait speaks eloquently to the trials of humanity.

Sergio Abel lives in a small town in Central Cuba and he videotapes his life. He is also a grade school teacher. A beautiful documentary that incorporates Sergio’s observations and footage and his student’s aspirations for the future with the outsider’s eye to tell his story.

A poetic and contemplative journey of harmony between different forms of life that coexist on the earth. This film is a meditation on the effect of time, movement of the human spirit, and passage to new forms of life, through the eyes, ears, and bodies of three elderly land workers living in a small community in the outskirts of Bauta, Cuba.

When Marushka enters Ivan's butcher shop, it's not to buy sausages. In the back room, vodka and waltzing and the pleasures of the flesh may lead the two lovers to the ultimate chop!

A water polo feminine team trains intensely for a final competition. Eva, the team captain, wishes to win, but has noticed strange behavior from her teammates ever since trainer Omar's arrival on the team. Eva tries to discover the truth, but has no idea that she is facing a supernatural force, hungry for blood and violence.

Three stories about men and women in terminal situations.

In a house where repression is the mandate, Ricardo is complicit in Ivan longing for his first kiss, but, in trying to help him confront his desire, he breaks the bond of brotherhood between them.

Susana Barriga’s documentary, the illusion, begins with violence. A long shot reveals a man standing on a street corner, his features indiscernible in the night. He moves out of the camera’s line of vision, but the filmmaker, persistent, moves with him as the jostling of the camera marks her steps. As we learn moments later, the man in the distance is Susana’s father – and this is the clearest image of him we will have. Suddenly, an angry British man demands that Susana cease filming. Susana protests in heavily accented English, “He is my father!” Glimpses of a man’s torso are followed by blurred images as the camera spins rapidly over surfaces. The image cuts to black. A new male voice asks in carefully spaced out words if Susana would like him to call the police. When she doesn’t respond immediately, he speaks louder, as though volume would compensate for the language difference. She gives her name; she refuses the offer of an ambulance.

What can represent the confinement for a person. The emotions, changes, uncertainties and traumas that are generated in a space/situation limit. Place from where a particular form is constructed to see the life and the freedom.

Anolan is a soloist in a string orchestra, lives with her mother and dedicates every minute to his profession; Enmanuel is a peasant resident in the Sierra Maestra who devotes his time to working the land, accompanied by his young son.

A nocturnal portrait of Havana and its inhabitants through the songs they listen to and sing.

In the dense night, when the moon lifts the tide, beings trapped in the daily life of water scarcity, they are hypnotized by the powers of Yemaya, the goddess of the sea.

In the hard scrabble of life in Havana, Gabriel attempts to build his perfect musical scale.