NPS

When a beautiful young Grace arrives in the isolated township of Dogville, the small community agrees to hide her from a gang of ruthless gangsters, and, in return, Grace agrees to do odd jobs for the townspeople.

In 1933, after leaving Dogville, Grace Margaret Mulligan sees a slave being punished at a cotton farm called Manderlay. Officially, slavery is illegal and Grace stands up against the farmers. She stays with some gangsters in Manderlay and tries to influence the situation. But when harvest time comes, Grace sees the social and economic reality of Manderlay.

Nine-year-old Karo grows up with her parents in an Amsterdam commune in the Seventies. She leads a carefree existence in this utopia-for-adults. Everything is shared in the squat, but not everyone is able to honor these ideals. Karo gets confused because of the internal conflicts that start to divide the group. Karo slowly realizes that nothing can stay the same forever.

Père-Lachaise - one of the world's most famous and beautiful cemeteries - is the final resting-place of a gifted group of artists from all eras and corners of the world. Some - such as Piaf, Proust, Jim Morrison and Chopin - are worshiped to this day. Others have fallen into oblivion, or are visited occasionally by a single admirer. In Forever we see the mysterious, calming and consoling beauty of this unique cemetery through the eyes of people of flesh and blood. Many come for their 'own' beloved: husbands, wives, family and friends. Others Honor 'their' artist by leaving behind a personal message or a flower. While admirers share with us the importance of art and beauty in their lives, the graveyard gradually reveals itself as a source of inspiration for the living. Death offers little consolation except for the passing of time, the melancholia of a moss-covered tomb, and the beauty and power of a piece of music, a poem or a painting Written by Cobos

In Justiça, Maria Ramos puts a camera where many Brazilians have never been – a criminal courtroom in Rio de Janeiro, following the daily routine of several characters. There are those that work there every day (public attorneys, judges, and prosecutors) and those that are merely passing through (the accused).

Documentary following the new board of FC Barcelona as they attempt to turn around the club's business performance.

A documentary about the life and works of the artist M. C. Escher. Maurits Cornelis Escher (1898-1972) usually referred to as M. C. Escher, was a Dutch graphic artist. He is known for his often mathematically inspired woodcuts, lithographs, and mezzotints. These feature impossible constructions, explorations of infinity, architecture, and tessellations.

Leila Khaled was the first woman to hijack a plane. In 1969, she showed her grenades to the terrified passengers by order of the Che Guevara commando unit of the Popular Front for the Liberation of Palestine. Through the ensuing media bombardment, she put the Palestinian nation on the global map. The pretty 24-year-old Leila became a hero to many Palestinians, including the Swedish/Palestinian teenager Lina Makboul, who is now a filmmaker. At least Leila dared to do something, Lina thought at the time. She visits Leila 35 years later with a camera, and finds a woman who does not regret anything.

Mother is dying and invites her family to spend a few days in a chalet in Austria. In the isolation of the snow-covered mountains, old wounds are reopened and the family ties crumble steadily through quarrels and irritations.

A group of friends in their early twenties re-consider their boring lives in a sleepy fishing village in the Netherlands.

Kees (Ramsey Nasr) is a gently eccentric loner who takes his imaginary dog for a walk each evening and likes to listen in on his neighbors' conversations. He is lonely. He has no real family, as his father is dead and his mother is institutionalized. However, when the chronically unemployed Kees gets a job at a bank, many of his co-workers don't know what to make of him, and scarcely anyone talks to him -- until the day someone comments on a photo in his wallet. Though he doesn't actually know the woman in the picture, Kees tells them the woman in the photo is his girlfriend and starts spinning tales about their "relationship." Before long, Kees has invented an entire alternate personality and is stealing photos from others to fit the new "friends" and "family" he's created.

In a span of ninety minutes the film aims to show how the Netherlands administered its colony as a colonial enterprise and what the relations were like at the time. The usual commentary has been omitted and in its place poems and songs in Bahasa Indonesia have been included in a digital sound composition. In Mother Dao the Turtlelike, the viewer sees how the colonial machinery in the 1920s was implanted in a world so different from Western Europe.

Michiel van Erp shows us what the Dutch do in their spare time and takes a look at the industry behind all these leisure activities.

When the work of a great writer meets an imaginative child's mind, something special happens. Tom is twelve years old and devours tomes. When he and his parents stay in a chic hotel and he turns the last page of his book, the adventure does not end for him. The next morning, the staff greets him cordially and politely. Goodbye, Mr. Bukowski! For them, too, it was a memorable night.

Two sixteen-year-old girls, Sanne and Clarissa, are invited to a party by one of their brothers. The girls have done their best to dress appropriately, but when they arrive at the party it turns out that they are completely underdressed and, moreover, by far the youngest. Afterwards they visit a snack bar, where suddenly a nice boy Sanne had met that morning enters the supermarket. 'Snacken' is a subtle story, in which it is not so much about the story, but about the exchanges of glances between two 16-year-old girlfriends, in which vulnerability and bravura compete for priority.

Sunset from a Rooftop takes place in Belgrade. While the city is being hit by NATO bombings, Ivana is preparing herself for a night out while telling her boyfriend the news of her pregnancy.

When her husband Ted is put in jail Bibi suddenly needs to provide for herself and decides to contact fortune teller Madame Jeanette.

Documentary profile of legendary dance choreographer Busby Berkeley.

In this film with its humorous undercurrent, a widower rents the upper floor of the house of a young couple, who can no longer afford the mortgage after a dismissal. The man immediately moves in. The only thing he brings with him - hidden under a cloth - is a large cage. Acting against the man's express warning, the couple goes up to his room when he is away. Their curiosity costs both them and the tenant dearly.