Lardux films

An ogre breaks his teeth the day before Saint-Festin, the ogres’ great celebration day. A magician botches his trick of sawing a woman in half, and loses his assistant’s legs. An overequipped hiker gets stuck in the elevator for several days. An old man falls in love with a runaway pair of legs. A mother asks her neighbour to look after her children on the eve of Saint-Festin… In one building, the lives of ten next-door neighbours, or the neighbours of neighbours, intertwine as they grapple with the dramas, joys, surprises and dangers of everyday life.

Trying to keep together all the little beings that are fragments of yourself. Overwhelming states of shapeshifting through contradictory perceptions of the inner and the outer self. Feeling, not feeling, falling apart and finally reassembling and reconciling all the little beings into one loving self again.

A woman with indiginous roots in her 40s goes on a trip into her past: When she was four years old she had been taken away from her mother by the canadian authorities, like many others. This is her very sad story as an example for many others.

Camille, 6 years old, puts a naive and rebellious look on her trader dad who dreams of being a Wolf of Wall Street. From easy money to contempt for the poorest, she observes with candor the excesses of a capitalist society in the midst of a crisis that will make her dear dad go from greatness to decadence...

Everything you always wanted to know about pornography (but were afraid to ask).

The film contains three Jan Werich's fairy tales, each directed by one artist. The first story sets out to the Sumava mountains in Southern Bohemia to find out whether Ogres ever lived there. The middle tale The Hat and the Little Jay Feather concerns a king who sends his three sons to bring back a hat he left at a tavern when he was young. The third and longest fairy tale Reason and Luck is about the two virtues of the title try to prove their importance by changing the life of a pig herder named Louis. Written by

Laurence is desperately looking for love. Advised by a friend, she connects to dating sites to find a soul mate. But the young woman becomes addicted to her phone and falls in love with a toxic man.

Two tree-creatures hibernating underneath the bark of their trees wake up by the quakes produced by a snowfall outside. After going out, they become friends and delight at playing with the snow.

In the modern history of Latin America, a direct line runs from the anti-Communist repression of the 1970s to the fight against land defenders and human rights activists today.

Cowboys aren't afraid to die. Their death, always spectacular, is the grand finale of a tragic destiny. But when a cowboy messes up his exit, when he seems to hesitate awkwardly between life and death, the Western turns to the absurd.

In the middle of an economic crisis, in the shadow of Wall Street, an institution that represents a less well-known American tradition is booming. The Park Slope Food Coop: a cooperative supermarket where all 16,000 members work 3 hours per months to earn the right to buy the best food in New York at incredibly low prices. The success of this cooperative is a bad new for capitalism and aggro-alimentary business, and an opportunity to change the food production and distribution systems. We will see what has become of the Park Slope Food Coop, now a well-rooted institution in the heart of Brooklyn: the way it functions, its hundreds of rules, the diversity and eccentricity of its members. We'll see how the culture that has been created at the coop gives its members daily visceral lessons in democracy, how this could represent a potential change in mentality for Americans faced with increasingly difficult economic times.

Filmmaker Christian Philibert takes a tongue-in-cheek look at his old hometown in this mock-documentary about a small French community and the people who live there. In Les 4 Saisons d'Espigoule, Philibert returns to the town where he grew up (and left when he was 25) to film the residents for a year. In addition to capturing Espigoule's annual Goat Rodeo and New Year's Eve costumes, the audience gets an inside look at the backbone of the local economy (sheep herding) and a night of big excitement (a bingo match). We also meet a few of the locals, who show off their talents (painting, classical piano, imitating Liza Minnelli). While scripted in advance by Philibert, the film was indeed shot in his hometown, and the "actors" playing the citizens of Espigoule actually do live there.

At her father’s request, Coline returns to her childhood bedroom to sort through her belongings. The various objects she finds remind her of childhood memories that stick to her and that she will finally accept to leave behind…

In between performance, dance and cerémonies, "The Ferryman” is a choreographic exploration of rituals and animistic roots, a luxurious visualisation of a bewitchment and an exorcism of a man-deer in the borders of the world.

This walk in the daily life of several psychiatric institutions, allows us to meet extraordinary people who let us enter their privacy.

Two years in a clown school. Against all odds and trends, learning how to make people laugh out at the human condition.

Popolo, a magician full of spirit who works at a small circus, loses the legs of his beloved assistant Amabilé during the act of the woman cut in half. Of course, she gets mad at him, especially when they are both fired. To cheer her up, Popolo promises to pay her a vacation, but he needs to find a job first, any job.

The last conscious moments of Stalin, the solitary tyrant who believes himself immortal. An evocation of the mental chaos of the Little Father of the People who was suffering from delusions of persecution and untold power during the three days of his death throes. And, in fact, is he really dead? In the limbo of the Soviet past, the ghosts from the gulag dream of settling some old scores.