City of God – 10 Years Later investigates what happened to the actors who took part in the award-winning film directed by Fernando Meirelles and Katia Lund. This documentary shows what City of God’s worldwide success meant to their lives. Were the actors prepared for the film’s success? Did the social background of some of them prove stronger than the opportunity that came their way?
Vidigal Hill, 1977. A runaway group of bandits engage in a complex love triangle in the brink of the news that the corrupt Rio de Janeiro mayor decided to make everyone move out of Vidigal, aided by police forces.
Learn about the trajectory of student leader Marcos Medeiros and learn more about his exile in France and Cuba. In 1968, he joined the counterculture when political activism became an audiovisual expression of intervention in social reality.
Silvana is a tired woman. The world no longer belongs to her, the invisible bothers her, the daily life oppresses her. What she wants sometimes is to abandon everything and go back home.
Ana who lost her mother, works as a dog walker in the south of Rio de Janeiro and lives on the outskirts of the city. Her brother is discovering the drag queen universe, creating tensions with the homophobic neighborhood. Ana has a group of activist friends who try to support her, including mental health support. The arrival of an old boyfriend stirs up personal tensions and draws the attention of armed groups that dominate the region.
An encounter of novelist Lúcio Cardoso and poet Murilo Mendes haunting ghosts with their characters.
It tells the story of the musicians who revitalized Lapa, from the end of the 90s, in meetings on the small stage of "Bar Semente". The documentary is a historical record of a stronghold of cultural effervescence that remained in the affective memory of Rio de Janeiro.
A sensory journey in the city of Rio de Janeiro with street vendors and street artists as characters in this urban cartography in which past and present are crossed.
A tribute to Pier Paolo Pasolini's centenary. The film tells of his visit to Rio de Janeiro in 1970, returning from Argentina in the company of singer Maria Callas, when he met the young soldier Joaquim.
This film seeks to rescue the role of filmmaker Neville D'Almeida by using many rare images, numerous interviews, vast archival and audiovisual material.
Benjamim Zambraia is a young drunk who wanders around the city and is sometimes treated with pampering and sometimes with a beating by his parents (Helena Ignez and Otávio Terceiro). As in Chico's book, the boy is obsessed with a big stone.
A self-portrait short film by veteran Brazilian filmmaker Sylvio Lanna.
Experimental movie about Rio de Janeiro's Museum of Modern Art's Movie Archive (Cinemateca).
The memories of the trip made by the couple of artists Cavi Borges and Patrícia Niedermeier are transformed into an essay film. The scenery consists of landscapes located in Brazil, the United States, Germany, Syria, France and Hungary, where a series of choreographies and other performances created by the two are recorded.
Bianca manages a precarious living as a talented but underemployed actress in Rio de Janeiro, performing for private events dressed as movie icons. Troubled by the belief that she has missed her big break, Bianca's situation is upturned by an audition that leads to a rare opportunity.
We are in the Sahara, in Rio de Janeiro, but it could be Beirut!
Documentary that presents an overview of the production of cartoons and comics in Brazil.
In the dressing room of the French cinema, minutes before attending a lecture, François Truffaut recalls his trajectory
