A bookseller from Seoul travels with a young woman to Fukuoka in Japan to meet a former friend from university. While their reunion is haunted by the conflicts of the past, his travel companion floats through the plot as if moving through a dream.
Chang-ho, 12, becomes friends with a North-Korean immigrant about the same age who just crossed the Dooman river, border between North-Korea and China. His mute sister and his wise grandfather accompany him through a series of misfortunes.
Yoon-young fell for Song-hyeon when she was married to his friend. When she gets divorced, he takes her on a trip to Gunsan, where they stay at a guest house run by a middle-aged man and his autistic daughter.
They're losers, but nice ones. Every day they sit at Yeri's bar, smitten by the young Chinese-Korean woman. Yeri doesn't have a preference. To her, they are equally sweet: Jongbin, a milk-drinking epileptic, Ikjune, a former petty criminal, and the introverted Jungbum, who fled from North Korea.
A Beijing professor returns to his stomping grounds for a friend's funeral. Reflecting on the past, he meets a tea shop owner who sparks feelings of love in a time of pain.
People have varying perceptions and definitions of love and movies. One must overcome differing opinions and disregard insignificant factors in order to achieve the end product in each aspect. However, it is these trivial features that matter in the end and leave their imprint on our souls. Whether it is for love or for movies, we must continue to question and attend to the subtle inscriptions upon our emotions.
While preparing to shut down the photo studio business that he has been running, a man hears that someone named Chulsu has died.
People exist as landscape to each other for much of their time. This coldness sometimes inspires you. The scenery is still the same, but the impression has changed slowly.
