Carmen is a gypsy teenager, destined to live a life that is repeated every generation: getting married and raising as many children as possible. But one day she meets Lola, an uncommon gypsy who dreams about going to university, does graffiti and is very different. Carmen quickly develops a complicity with Lola and discovers a world that, inevitably, leads them to be rejected by their families.
Young Eva makes her decision to stay in Madrid for the month of August an act of faith. She needs to feel things differently and think of summer as a time of opportunity. On days of festivities and verbenas, while events and encounters take place, Eva will discover that she still has time, that an opportunity can still be given.
On the periphery, the city's waste accumulates to form illegal dumps. In these, a new kind of life has emerged. It hides from the lights of humans, but the city reclaims what is its own. It advances and changes everything in its path. In its flight, the shadows remain in time. The thresholds persist. Gentrification, the death of one city and the rebirth of another.
A conversation about the work of Spanish filmmaker Luis García Berlanga (1921-2010) and his perdurance in contemporary Spanish cinema.
A sex doll called Lucy wakes up in the bedroom of a doll brothel. She lives with Mina, another doll. Together they watch TV: their window to the real world. They imagine themselves living far away. After a while, Lucy wants to escape. But Mina doesn’t want to leave. Lucy has to choose between freedom and the doll she is in love with.
About an androgynous preteen boy, who sits while peeing and has fantasies about aliens with his deformed and badly handicapped teenage neighbor, while his macho brother rapes her, playing Mario Bro's.
Two Spanish provincial prostitutes fantasise about their future life in the capital, Madrid.
When 10-year-old Nemo's mother suddenly dies, the boy is forced to go live with his maternal uncle's family. They are cordial and treat him well, but his 12-year-old cousin, Iván, begins to tease and tell him stories about the Bogeyman and how he'll come and get him if he doesn't behave. At first young Nemo doesn't believe the stories, insisting that Iván is just making things up...
It's a journey in a dead place, the need of finding a home. Get trough the grief to understand it.
In a militarized, post-apocalyptic world, ravaged by an infection that turns people into beasts, one child defies all obstacles to find his mother. He has one question to ask in the midst of all this doom: does she still remember him?
Alicia wants to record her father's birthday. The camcorder inadvertently catches him crying, and in anger, he tears up the videotape. By destroying it, he disappears from reality. Alicia, her sister, and her mother have to cooperate by reconstructing the tape to bring him back, exposing a major wound in their relationship.
Laura, a fanciful 16-year old teenager is in love with her young and attractive Religion teacher and will experience an excessive spiritual awakening that will lead her to lose her mind.
Marina finds herself on the previous days of her last piano concert that will change her life forever, continuing her studies in Germany, far away from her actual life. However, what nobody sees, blinded by the scholarship, is that the preassure is killing her and that it will drive her where to what a 17-year-old shouldn’t go.
Ramon takes care of the cemetery. He spends his life among those who have none. His routine is disrupted when he meets Sole, the florist who has come to take charge of the stand on All Saints' Day. With the excuse of buying flowers, Ramón comes again and again to see her, without realizing that something is changing in the cemetery and also in him.
For some time now, Inma has felt something strange when she is with Manuel, when she sees him open a beer, when he picks up his guitar, when a song plays... One given night, Inma thinks about changing this situation when she looks back. Remembering the moment in which he met Manuel and wanted to be by his side.
A glimpse into the day of a son visiting his sick father. The film follows the son as he helps his father with his daily routines, while trying to create a connection with the distant figure.
Eusebio José Fernández López Reboredo Bergamín is a teenager in the 1960s whose dream is to be a movie director, but General Francisco Franco prohibited in 1964 all types of art. A coincidental encounter with another artist, named Antonio Mínguez, will change his life.
