Artus-Film

Pete is no stranger to success, delivering hit series as a musician in a rock group. When he parts ways with his band and produces his first solo LP, he learns for the first time what a flop means. He did not expect this. He is insecure and desperate, while Lena, his wife, accepts this low blow as a challenge. Jealously, Pete observes that Lena is becoming more and more independent and self-confident in her surroundings. At home there are arguments until everyone packs his bags. Alone with his longing and tenderness for Lena, Pete composes the "Bolero" on his white grand piano that calls her back.

On a winter day in 1961, 31-year-old Anna Eichmayr crosses the Grosshesseloher bridge in Munich, she suddenly stops in the middle of the bridge, opens a manhole and plunges into the depths. The film traces the young woman's life in flashbacks. It goes back to 1945.

A copywriter gets famous with his first book. When asked to write a new novel about love for his publisher, he urgently needs tutoring since he doesn't know the first thing about it. His way through the beds leads him to the very young Orli. In her he discovers the true meaning of love, which makes him forget all the wrong paths of the past decades and feel young again.

Markus, 16, goes to the city where his big brother Mischa will show him the ropes. But Mischa has gambled away his money, leading to theft and deeper troubles. Markus must take revenge.

Hans Fallada tells in his published after the war novel "The drinker" the story of the agricultural wholesaler Erwin Sommer, who flees from his narrow bourgeois relations under the burdens of the new times in the kingdom of the king alcohol, whose liberty and independence promises prove a lie - the only truth of the alcohol. On behalf of the WDR television play Ulrich Plenzdorf has adapted Fallada's 1944/45 novel for a film adaptation by Tom Toelle with Harald Juhnke in the main role of Erwin Sommer.

Fashion model Sylvie falls asleep drunk in the cab of Munich taxi driver Paul, and an impossible love affair beckons. Renegade director Klaus Lemke had previously startled German TV audiences with the biker drama Rocker, announcing an unprecedented, unvarnished freshness and authenticity with nonprofessional actors, real dialect and on-the-fly style. In Sylvie, he adds a disarming tenderness.