This is the story of a young Mozambican footballer called Eusébio, a gifted athlete destined to great achievements, coveted by rival clubs, Sporting and Benfica, which ends up hiring him. Blackmail, kidnapping attempts, ministers involved, press hysteria and huge money offers make the story of this football transfer into a saga evolving between the two continents. It ends up when the legend begins: with Eusébio’s first match at the Benfica Stadium.
In the Victorian era of the late 19th century, Charles Augustus Howell moves through London’s art circles as the assistant of famous art critic John Ruskin. His skill at rising through high society lands him a close friendship with painter and poet Dante Gabriel Rossetti.
Dreaming of great adventures and of standing up for his homeland, a young Portuguese man enlists in the army during World War I and is sent to the front line in Mozambique, Africa. Left behind by his platoon, he sets out on a grueling trek across the mystic Makua native land, walking for over a thousand kilometers, in search of his dream.
Taiti, 1903. Doctor, poet and artist Victor Segalen left France and headed for Hiva-Oa, to meet Gauguin personally. On his arrival on the island, he learns the painter had passed away. Adapted from the writings of Victor Segalen, Longe da Estrada is a very fine view of the work, life and contradictions of the great painter Paul Gauguin. And a modern analysis of the relationship between colonizers and colonized people.
The chronicle of a Portuguese family that owns one of the largest estates in Europe, on the south bank of the River Tagus. The Domain delves deeply into the secrets of their homestead, portraying the historical, political, economic and social life of Portugal, since the 1940's to these days.
The character of a novel gains life to torment the author, revisiting and reliving the story of a crime.
Pavese considered Dialogues with Leucò his best work. Eloquent and at the same time sententious and fragile, but implausible among humanized gods, demigods, heroes, and other pagan figures of Greek mythology, who question, through the imaginary of myths, the society of contemporary man. Out of a time and a certain space, and thus, and like all myths, always current.
A pagan tradition in a village in the countryside of Portugal leaves painful traces in a group of young teenagers. 25 years later, when they meet again, the past resurfaces and tragedy sets in.
In 1918, Maria Adelaide Coelho da Cunha, heiress and owner of the Diário de Notícias, leaves the social, cultural and family luxury in which she lives to escape with a petty chauffeur, 26 years younger.
Paulo works in a bar and when his shift is over he wonders through the Lisbon night. Between a romantic and desolate tone, Flávio Gonçalves films in the poetry of the night. A poetry made of encounters, ferocious lights and bodies that love and fear.
