Muiraquitã Filmes

Suzana is an honest and hard-working woman who suddenly finds herself in captivity with her boyfriend while the hijackers pressure her to return a supposed money they swear she stole.

At the end of the 1940s, Lebanon is sliding towards a devastating conflict. Catholic siblings Emilie and Emir decide to leave for Brazil. Aboard the ship to their new home, Emilie falls in love with Omar, a Muslim merchant. For an enraged and jealous Emir, the relationship is intolerable. As the story unfolds against the backdrop of the majestic rainforest, Emir’s actions and the choice that Emilie subsequently makes lead to disastrous consequences.

For two decades, Cine Marrocos, a movie theatre in the heart of São Paulo, was one of the most popular and opulent of the city. After it was closed, in 1972, it was occupied by a homeless workers' movement. The documentary tells the story of the people who lived there, alternating scenes from an acting class with those of the movies exhibited there in the past.

Three Portuguese queer short films brought together in a program that charts an alternative path through converging universes, forming a new constellation of desires, fears, and struggles. Entre a Luz e o Nada by Joana de Sousa, Sob Influência by Ricardo Branco, and Uma Rapariga Imaterial by André Godinho are three cinematic gestures that explore techniques and narratives from science fiction to horror, seeking new ways to view and imagine other possibilities. After traveling through various festivals, these films can now be experienced together, in a mutual exploration of mysterious worlds, unsettling dreams, and singular visions.

Marta and Manu are two Brazilian actresses that decide to move to Moscow to study the Stanislavski method. There, wrapped around a complex love triangle, they must overcome their differences to survive in a different country.

Irene is a lonely 50-year-old ornithologist who, during secret research in the rainforest, immerses herself in a sensory journey to rescue her desires, facing her dilemmas that confront the illegal trafficking of wild birds.

César Benjamin was arrested in August 1971 during student protests against the Brazilian military dictatorship. Although he was a juvenile, he was tried as an adult and sentenced to 13 years in prison. Thanks to the ardent campaigning of his mother Iramaya, working closely together with the Swedish branch of Amnesty International, he was released five years later.

Wanjugu Kimathi is the daughter of Dedan Kimathi, legendary leader of the Kenyan Land and Freedom Army, or Mau Mau. This resistance group fought the British colonial regime from 1952 to 1960 to stop it from confiscating land, a conflict known as the Mau Mau Rebellion. In 1957, the British authorities hanged Dedan for possession of firearms, and then dumped his body at an unknown location.

In the bucolic countryside of Brazil, Marcelo, an easygoing cowboy at a cattle farm lives for one passion: rodeos. One tragic incident affects him deeply. Little by little he overcomes the trauma and is ready to dream again.

In 1970, at the height of repression by the military dictatorship, five imprisoned guerrillas came to the public to renounce the armed struggle and praise the regime. With the repercussion of the declarations, the government decided to transform the retractions into a State practice. He started to torture opponents to make mea-culpa. Until 1975, around forty prisoners participated in the “repentances”, as they became known. Os Arrependidos recounts the little-remembered story of former militants who, very young, dropped everything to risk their lives for a cause, were arrested and tortured, and became a propaganda weapon for their enemies.

In Bocaina, Minas Gerais, two sisters live peacefully and in isolation until the arrival of an outsider to the region. The plot follows in the footsteps of Zulma (Malu Gali), Musk (Ana Flavia) and Josevelt (Alejandro Claveaux). Josevelt is the mysterious fellow who, along with these two conflict-filled women, helps them free themselves from their restraints. Under the context of a pandemic, the narrative addresses the feeling of suspension and uncertainty, so present today.

He is a tightrope walker. She is a whore. Asymmetrical dreams take place in the geometry of São Paulo.

He observes his reality with astonishment. She multiplies herself in images. An admirable event happens.

Eneida, 83 years old, makes a journey into her past, in search of her firstborn daughter, whom she has not seen for over two decades.